We love wild, out-of-control, outer-space reverb pedals here at MR, but sometimes all you need is a to-the-point ’verb to complement your playing - that’s where Keeley is pitching its new Omni Reverb, which is designed to “fill the space around the notes with perfect depth”.
Three reverbs are on offer: room, spring and plate, the latter of which is based on the classic EMT140. Dwell and level controls adjust the tones.
The Omni is currently only available exclusively from Sweetwater for $129. We’re hoping it will make its way to the UK at some point, too, because this thing sounds beautiful.
See Robert Keeley Engineering for more info.
![Eric Clapton and his gold-plated Cry Baby: [Left] a black and white image of Clapton playing his Bigsby-equipped Gibson Les Paul standard live on stage with Cream.](https://cdn.mos.cms.futurecdn.net/aPowLRdfjdvVAiwU8PYuBh-1280-80.jpg.webp)
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
