Jeff Beck may be a guitar legend now, but to get there he did the work as a pioneer; exploring uncharted territory with the instrument. But in a recent interview with Johnnie Walker for his Radio 2 show Sounds Of The '70s, the former Yardbird expressed genuine incredulity that the electric guitar has gone as far in pop culture as it has since his 1950s rock 'n' roll inspirations.
"It was just rocket propelled from '54 until today," reflects Beck. "I never thought the guitar would be sustained for so long and everybody knows what a Stratocaster is."
Of course, part of the reason is just as Beck was inspired by players including Les Paul, Buddy Holly, Scotty Moore and Cliff Gallup, he went on to spark the imaginations of generations as one of the most expressive players to ever pick up a guitar – first a Tele and Gibson Les Paul before he found his true home; the Strat.
"It does what I want," says Beck of his favourite guitar. "It's infinitely variable in its tone and capabilities with the spring-loaded bridge. It was though it was made for me – thank you very much, Leo!"
It's hard to imagine that distorted guitar was once groundbreaking, but Beck was one of the early adopters in the rock 'n' roll scene of early '60s London. But it wasn't as calculated as some might presume.
"That came as an accident," the guitarist tells Walker. "We played larger venues round about '64 / '65 and the PA was inadequate, so we cranked up the level and then found out feedback would happen. Pete Townshend discovered it and had it on My Generation and then I started using it because it was controllable – you could play tunes with it.
"I did this once at Staines Town Hall with The Yardbirds," Beck remembers. "And afterwards the guys says, 'You know that funny noise that wasn't supposed to be there? I'd keep that in if I were you.' I said, 'It was deliberate mate – go away.'"
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Check out the full interview at the top where Beck also talks about working with Stevie Wonder on Superstition, and you can also see our feature on how Stevie returned the favour to Beck for the classic 'Cause We've Ended As Lovers below.
Jeff Beck: “Stevie gave me Cause We’ve Ended As Lovers as an apology for releasing Superstition first"
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Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.
“Notes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects”: Keeley Electronics and Andy Timmons unveil the Halo Core – same modulated dual echo magic, simplified controls
“PRS has always been an essential part of BAND-MAID’s sound”: PRS breaks out the “Brushstroke Birds” inlays for Kanami Tono’s stunning quilt top Custom 24-08