Jazz great Pat Metheny recently sat down with D'Addario guitar strings to talk guitar and his perspectives on the instrument. It's easy to forget that Metheny isn't just a pioneering jazz fusion musician and composer, his progressive mindset has extended to gear with everything from strings to the type of delay setup he uses. As a musician who began on trumpet – he's also able to view the guitar in context, including what makes it so unique.
"My oldest son who's great, he's a really cool guy – he always has an interesting perspective," says Metheny. "When he was about eight, he said [about the guitar], 'I like it, but guitar, it's so 20th century'.
"However guitar, all it is is an instrument – all anything is is a potential manifestation tool. It is an interesting instrument because nobody agrees on it. Nobody agrees how to hold it, nobody agrees how to touch it, nobody agrees how to play it. Every person that picks it up finds their own way to do it. There's no other instrument quite like that – almost every other instrument has, this is how you play that instrument. There is not that with guitar. And, you know, that's pretty cool."
Agreed! Check out the full interview – and more about the XL Chrome electric guitar strings he developed with D'Addario – in the video above.
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Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.
“I was thrashing that guitar to pieces, and I don’t play like that anymore”: Prog rock legend Steve Howe of Yes reveals what he’s learned in 60 years of playing
“I think that a specific drawback of this guitar could make it unsuitable for regular live use, but it’s still an inspiring acoustic for the home”: Yamaha TransAcoustic TAG3 C review