Turn up the volume on your Cyber Monday savings with a set of IK Multimedia iLoud Micro Monitors for less than $200

IK Multimedia ILoud Micro Monitor
(Image credit: IK Multimedia)

Since its release in 2016, IK Multimedia’s iLoud Micro Monitor system has carved out a compact niche. It provides you with an excellent little monitoring system that you can take on the road if you need to, and all for a very reasonable price.

And that price just got even more attractive Cyber Monday, dropping $150 from $249.99 to just $199.99 at Sweetwater.

IK Multimedia iLoud Micro: $349.99, now $199.99

IK Multimedia iLoud Micro: $349.99, now $199.99
They might not be IK Multimedia’s best monitors, but the iLoud Micros still pack a mighty punch, and remain an excellent option for bedroom studio warriors or anyone who needs a pair of speakers that they can take on the road. At less than $200 for a pair, they’re a snip. Each speaker contains a 3/4-inch silk dome tweeter, a 3-inch paper cone performance woofer, and a large flaring front-firing bass reflex port. There’s Bluetooth support, too, so if you want to use them for music listening, you can stream wirelessly from your phone. 

In MusicRadar’s five-star review, the verdict was clear: “The iLoud Micro Monitor speakers from IK Multimedia are, quite simply, a cut above anything else at this size and price range.” That still holds true today - all the more so when you consider that chunky saving.

For less than 200 bucks you’re getting two bi-amplified speakers that deliver 50 watts RMS of power. Each speaker contains a 3/4-inch silk dome tweeter, a three-inch paper cone performance woofer and a large flaring front-firing bass reflex port. There’s Bluetooth support, too - if you want to use the Micros for music listening, you can stream wirelessly from your phone - plus three EQ switches so that you can tweak the sound to suit the speakers’ placement.

You have a choice of colours, too: the original sophisticated black or limited edition ice-cold white.

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Ben Rogerson
Deputy Editor

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.