HeadRush launches feature-packed Looperboard with 7” touch display
Formidable looper pedal packs quad-core processor, 12 footswitches and intelligent time stretching
HeadRush, famed for its Pedalboard and Gigboard multi-effects pedals, has brought its touchscreen format to the Looperboard, which boasts a 7” touch display and quad-core processor.
Designed from the ground up, the Looperboard features a customisable workflow, encompassing four mono or stereo looper tracks, which can be run in any of five track modes (Fixed, Serial, Sync, Serial/Sync and Free).
12 footswitches feature individual footswitches with LEDs that provide real-time feedback, and offer a host of functions: record, overdub, reverse, transpose, bounce, undo/redo, peel, fade, and clear individual looper tracks.
Effects, meanwhile, include time-stretching via tap tempo, reverse, fade, multiply, and the ability to divide length and speed for the whole loop.
Over eight hours of internal recording time is included, while additional storage is available via SD and a USB-A drive inputs, or connecting a computer through USB-B.
Speaking of I/O, the complement includes…
- (4) Combo XLR+1⁄4” inputs with switchable +48V phantom power
- (2) XLR outputs with switchable ground-lift
- (2) 1⁄4” outputs; switchable between amp or line level
- 1⁄4” stereo headphone output with dedicated volume knob
- 1/8” stereo aux input
- MIDI in and out/thru
There are also 300 drum and percussion loops included, while users can record direct to USB, with a special HeadRush edition of Pro Tools bundled with the looper.
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The Looperboard is available now for $899. See HeadRush FX for more info.
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Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
“A wealth of features not seen before in a Klon-style pedal”: Walrus Audio’s Voyager MKII overdrive/preamp takes Centaur stage – equipped with footswitchable parametric mids, it promising “mythical magic” and absolute clarity