Harley Benton launches the Aeolus series – stylish semi-hollow singlecuts with a touch of AAA flame maple class
Featuring roasted flame maple necks, locking Grover tuners, Tesla VR-2 Alnico 5 humbuckers, there's nothing minor key about these smart but affordable electric guitars
Harley Benton has added the Aeolus series to an ever-growing complement of electric guitars that somehow manage to offer super-classy design features and be priced well within range of students and beginners.
The Aeolus models are semi-hollow singlecuts with mahogany bodies and AAA flame maple veneers on top, and glued-in, satin-finished necks fashioned from figured roast maple.
Behind the eye-catching features there's some real substance to their build, with locking 'kidney bean' Grover tuners, stainless steel frets and roasted maple fingerboards, and a Graph Tech TUSQ nut. The tune-o-matic variant looks like a solid piece of hardware for the bridge, too.
Offered in Frost Flame and the Tobacco Burst-esque Bengal Flame, these should cover a wide range of styles. They're refined enough for jazz, with a vintage look that's ideal for blues, and a pair of classically voiced Tesla VR-2 Alnico 5 humbuckers offering a slightly scooped tone profile.
The control circuit expands your sonic options considerably. Besides the orthodox three-way pickup selector, volume and tone controls, there is a coil-split function on the tone control that'll let you access some single-coil tones that should work very nicely with the semi-hollow build.
There are lots of nice touches on the Aeolus models, not least the glow-in-the-dark side markers, and the 25" scale length feels like a nod to PRS's split-the-difference approach to appeasing dedicated Fender and Gibson players. Also, let's not forget the convenience of having a truss rod adjustment wheel mounted at the top end of the fretboard.
The Aeolus models are available now via Thomann, priced £285 – which, when you look at the pictures above and consider the spec, is deserving of a double take. But then, this is Harley Benton and we're used to this sort of thing by now.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
“There’s three of us playing guitar in Foo Fighters… A lot of tone details can get lost, which is what drew me to the Cleaver – that P-90 cut”: Chris Shiflett on how he found his weapon of choice with his Fender Cleaver Telecaster Deluxe
“Notes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects”: Keeley Electronics and Andy Timmons unveil the Halo Core – same modulated dual echo magic, simplified controls
Jonathan Horsley has been writing about guitars and guitar culture since 2005, playing them since 1990, and regularly contributes to MusicRadar, Total Guitar and Guitar World. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.
“There’s three of us playing guitar in Foo Fighters… A lot of tone details can get lost, which is what drew me to the Cleaver – that P-90 cut”: Chris Shiflett on how he found his weapon of choice with his Fender Cleaver Telecaster Deluxe
“Notes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects”: Keeley Electronics and Andy Timmons unveil the Halo Core – same modulated dual echo magic, simplified controls