Hamstead Soundworks’ Odyssey will take you on “an unbelievable journey through tone”
Intergalactic Driver pedal boasts staggering range of overdrive, distortion and fuzz
UK-based Hamstead Soundworks has released the Odyssey Intergalactic Driver, a versatile overdrive, distortion and fuzz pedal that promises to take players on “an unbelievable journey through tone”.
Based around a single analogue circuit with interactive controls, the Odyssey promises to span clean boost through to classic-rock crunch, high-gain metal tones and saturated fuzz.
Three clipping circuits are onboard, with 18dB of clean treble and bass boost and cut, while TheGigRig’s OptoKick footswitch aims to deliver silent and reliable switching.
The Odyssey is available now for £219 from Hamstead Soundworks.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard