Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Synth Week 26
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Music Gear Reviews
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
Bryan Adams
Artists “I still think it’s a great lyric. Probably the best I’ve ever written”: The classic ’80s rock anthem and the ’70s hit that inspired it
jimmy jam
Artists Jimmy Jam on sampling, AI and his new EastWest drum machine plugin
The Blow Monkeys
Artists We dig into the Blow Monkeys’ AIDS crisis-inspired hit from 1986, with new insight from its writer
Neil Diamond
Artists “I was fearless. I could write a song immediately in front of the audience”: How Neil Diamond flew by the seat of his pants in the ’70s
The Smashing Pumpkins
Artists “I don't think Kurt really dug me”: Smashing Pumpkins drummer Jimmy Chamberlin recalls the heady days of the early ’90s
Mr. Roboto video
Artists “That song killed Styx. It was truly awful”: The synth-rock anthem that sold a million but derailed a superstar rock band
A portrait of John Fogerty of Creedence Clearwater Revival in April 1970
Artists “I don’t think we would’ve found any success had someone else been the lead singer”: A rock classic that’s now hit over two billion streams
Eric Johnson takes a solo onstage with his Gibson SG
Artists Eric Johnson on the $400,000 rig he hardly played, the Dumble that got away, and his masterplan for setting his playing free
On the left, Sadler Vaden (in white T-shirt) jams with Jason Isbell. On the right, Mike McCready plays his Strat onstage with Pearl Jam.
Artists Sadler Vaden on when he and Jason Isbell jammed Little Wing with Pearl Jam's Mike McCready
New Radicals
Artists “I walked in… and Joni Mitchell was in baby blue pyjamas”: How a weird dream inspired the New Radicals’ classic ’90s hit
Madonna at Coachella 2026
Gigs & Festivals “Hello children, mutha is here to save you”: Madonna gatecrashes LA club and debuts some Confessions II tracks
Depeche Mode
Artists How Depeche Mode launched their career with one of the most important synth-pop records ever released
holy holy
Artists “David didn’t seem happy about it”: Tony Visconti reveals Bowie's reaction to Holy Holy
Diamond Head
Artists “We were labelled ‘the new Led Zeppelin’. But it was a blessing and a curse”: A great rock band that had it all – and then blew it
George Harrison wears all white and plays an acoustic guitar during his 1974 Dark Horse tour.
Artists “When I first met George I was speechless”: Robben Ford on what it was like working with a Beatle at the age of 22
More
  • Synth Week 2026
  • Ultravox's Vienna
  • 95k+ free music samples
  • Elektron Tonverk Review
  1. Artists
  2. Gigs & Festivals

X's John Doe: my best and worst gigs ever

News
By Joe Bosso published 18 August 2014

"This is hard – I could think of 10 shows right now that might be our best"

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

X's John Doe on his best and worst gigs ever

X's John Doe on his best and worst gigs ever

Continuing our series My Best And Worst Gigs Ever, X singer and bassist John Doe talks about two shows that stands out in his mind as being particularly memorable – and one that went tragically wrong.

“This is hard – I could think of 10 shows right now that might be our best. But I'm going to go with two as being the greatest, both for their own reasons. I kind of put them in ‘then and now’ categories. The first one goes back to 1981, after we had released the album Wild Gift. It was a pretty important time for the band. We had really established ourselves in LA and had, I think, firmly planted a flag in the ground for West Coast punk rock.

“Up to this point, everybody thought you couldn’t have punk rock in LA: ‘It’s too nice and sunny Everybody’s got a Porsche and a Mercedes and a swimming pool. What can you be bummed about?’ People didn’t realize that downtown LA was one of the scariest places in the world.

“So we released Wild Gift, we did a US tour, and we came back to LA to play the Greek Theatre – six or seven thousand seats. And we sold the place out! We sold out the Greek. To do that and not even be on a major label – we were just this scrappy punk rock band – that was pretty great.

“We were in the open air, which made the sound a little strange for us at first – we were only used to playing little clubs. And we played our hearts out, too. It wasn’t one of those gigs that played itself. We were very conscious of what we were doing the whole time, but in the end, it was exalting. Things went exactly as they should.

“More than just a great gig, though, it was kind of a benchmark moment. I actually felt as if we achieved something. We had arrived and reached some sort of higher level as a band. Maybe we all felt like that… or maybe I just did. [Laughs] I thought we had proved a point, but not in a mean way – in a very cool and meaningful way.

“And hey, even my mom was there. [Laughs] I made mom proud. That’s what we all wanna do, right?”

Page 1 of 3
Page 1 of 3
X's John Doe on his best and worst gigs ever

X's John Doe on his best and worst gigs ever

“The more recent ‘best’ gig would be when [guitarist] Billy [Zoom] rejoined the band. We played at the Hollywood Palladium, and the thing I remember most about it is everyone was singing along with us. This was pretty impressive because we’re not known for being a quiet band – we play pretty loud. So to hear the audience singing our songs over us, that knocked me out.

“Quite honestly, the show was at a point at which we didn’t know if we were going to continue. Elektra had just put out the compilation, Beyond And Back, so there was a lot of intensive listening and hard work, a lot of ‘Can this work?’ and ‘What are we doing?’ I probably listened to about 200 hours of live tapes, trying to pick out a few live songs. But I think it was then that we all had the realization of ‘Oh, I see why people were making such a fuss about our band – we're pretty fucking good! [Laughs] Well, I’ll be damned.’ Sometimes it takes 25 years to get perspective on things.

“So we got together with Billy for the first rehearsal, and everything just clicked. It was something like 15 years since we’d played together, but it was as if we’d never stopped. You always hear about that happening, and it happened for us in just that way. It was immediate and undeniable, and that’s why we thought, ‘Yep. That’s why we were in this band in the first place.’ And the show itself at the Palladium was incredible. It validated everything we had been thinking. The good feelings were widespread that night.”

Page 2 of 3
Page 2 of 3
X's John Doe on his best and worst gigs ever

X's John Doe on his best and worst gigs ever

“This was a really bad gig, but unlike a lot of other bad gig stories that you hear from people that are humorous and involve things going wrong on stage and what not, this is a tragic bad gig.

“It was 1980, and we were playing the Whisky A Go Go in LA; it was two shows on the same night. Exene’s sister was coming to the second show, and she was killed in a car crash. We found out between shows, and for some reason, because we thought that’s just what people do, we played the second show.

“At first, we didn’t know she had been killed. Somebody came in and told us there had been an accident. She was being taken to the hospital, but it didn’t look good. And then very soon after, we were told that she was dead.

“Nobody in the audience knew what had happened – Exene didn’t make any kind of announcement. But I remember the people looking at us like, ‘Wow, what’s going on?’ They could tell that something was up. I don’t know how we got through it. Exene could barely stand up, could barely sing, as you can imagine. We were all in a state of shock, in total survival mode. There was no way we could get around it.

“It was a gig we never should have played. Not because it was bad musically, but because we should have honored the situation. It was just one of those nights. The show was sold out, everybody’s there – ‘We’ve gotta play, right? Isn’t that what we do?’ And sometimes the answer is no. No, you don’t have to.”

X's current East Coast US tour starts tonight (August 18) in Atlanta. Click here for dates and tickets.

Page 3 of 3
Page 3 of 3
Joe Bosso
Joe Bosso

Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.

Read more
Zakk Wylde cups his hand to his ear as he asks the crowd for more during a 2026 Black Label Society performance.
Artists “Look at AC/DC. Whatever was popular, it didn’t matter. It’s like McDonald’s. ‘We make the Big Mac and we make fries and we don’t care about doing sushi’”: Zakk Wylde on musical identity, jailhouse rocking with Ozzy and the return of Black Label Society
 
 
Oliver Ackermann [left] playing on a red-lit stage and Richard Fortus playing his White Falcon live with Guns N' Roses
Artists Death By Audio’s Oliver Ackermann on the time he sold a pedal to Richard Fortus and disaster struck
 
 
Diamond Head
Artists “We were labelled ‘the new Led Zeppelin’. But it was a blessing and a curse”: A great rock band that had it all – and then blew it
 
 
The Beatles perform at the Cow Palace in Daly City, California, during their Summer 1964 United States and Canada Tour, 19th August 1964. Left to right: Paul McCartney, George Harrison, John Lennon and Ringo Starr. (Photo by William Lovelace/Daily Express/Hulton Archive/Getty Images)
Artists Paul McCartney on what the Beatles "kind of liked" about their male fans on their first US trip
 
 
A press shot of Paul Gilbert [left] wearing a tricorn hat and playing a pink Ibanez; Todd Rundgren wears dark shades and performs live in 2021.
Artists “To me, it was like being asked to tour with the Beatles”: Paul Gilbert on why he turned down the gig of a lifetime
 
 
Phil Campbell
Artists “I thought Motörhead was just a load of noise – but good noise”: A classic interview with former Motörhead guitarist Phil Campbell
 
 
Latest in Gigs & Festivals
Concert crowd cheering, concert audience arms raised. Live entertainment concept of music festival crowd cheering for live music performance, rock music concert event, or enthusiast fans enjoying nightlife. Rear view concert crow, audience with concert lights and stage background. Part of a series.
Gigs & Festivals “Don’t just fund problems, fix them”: Music Venue Trust launches small venue upgrade programme
 
 
Madonna at Coachella 2026
Gigs & Festivals “Hello children, mutha is here to save you”: Madonna gatecrashes LA club and debuts some Confessions II tracks
 
 
A young female DJ stretching out the cord from her headphones and making a mean face.
Djs "I don't know what he gets out of it": The scam promoter who's enraging Scottish techno DJs
 
 
Violin knocked out of hand
Artists Watch the moment when a conductor accidentally knocked a £1 million violin out of its player's hand
 
 
INDIO, CALIFORNIA - APRIL 10: (FOR EDITORIAL USE ONLY) (NOT TO BE LICENSED FOR ANY STANDALONE OR SPECIAL INTEREST BOOK PUBLISHING USE CONCERNING THE COACHELLA MUSIC FESTIVAL AND/OR STAGECOACH MUSIC FESTIVAL) Vanessa Carlton performs with Teddy Swims at the Coachella Stage during the 2026 Coachella Valley Music and Arts Festival at Empire Polo Club on April 10, 2026 in Indio, California. (Photo by Kevin Mazur/Getty Images for Coachella)
Artists Vanessa Carlton explains how her surprise Coachella performance of her biggest hit was almost blown off course
 
 
Music venue hall
Gigs & Festivals “Without them, you get silence”: New study suggests young people are increasingly giving up on music because there’s nowhere to play
 
 
Latest in News
Neural DSP Darklgass Ultra
Bass Guitars Neural DSP unveils the Darkglass Ultimate plugin – a fully featured digital platform for studio-quality bass tone
 
 
osmose ce
Tech Expressive E launches Osmose CE, a MIDI controller version of its MPE-equipped synth
 
 
Harley Benton JA-Baritone HH BK
Guitars Harley Benton drops a sub-$250 baritone that proves you can do low tunings at low prices – and stay fashionably offset
 
 
NEW YORK, NEW YORK - APRIL 28: Jack Antonoff appears on SiriusXM's 'The Howard Stern Show' at SiriusXM Studios on April 28, 2026 in New York City.  (Photo by Cindy Ord/Getty Images for SiriusXM)
Artists "The greatest recording ever made”: Jack Antonoff on the crazy genius of his favourite Beatles song
 
 
iZotope RX 12 Advanced
Tech iZotope upgrades RX with a film-focused stem separation module and improved machine learning
 
 
Brian Fallon of the Gaslight Anthem demoes his signature '59 Telecaster Custom, a new for 2026 limited edition model from the Fender Custom Shop.
Artists Fender releases the Brian Fallon ’59 Telecaster Custom, a high-end replica of the guitar that built the Gaslight Anthem sound
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...