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  1. Guitars
  2. Acoustic Guitars

Vintage unveils V501 acoustic and USB-equipped VEC501 electro-acoustic guitars

News
By Michael Astley-Brown published 22 October 2015

New models boast solid spruce and mahogany tops

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Vintage V501 Acoustic Dreadnought

Vintage V501 Acoustic Dreadnought

Vintage instruments are strewn across our rundown of the best budget acoustic guitars, so strummers and fingerpickers will be pleased to see the introduction of two new acoustic guitars: the V501 Dreadnought and VEC501 Electro-Acoustic Cutaway Dreadnought.

The V501 offers a classic combination of solid Sitka spruce top with mahogany back and sides, plus a maple bound rosewood fingerboard on mahogany neck.

Elsewhere, a rosewood bridge with Graph Tech NuBone saddle promises “perfect” intonation, while a herringbone/abalone soundhole rosette complements the three available satin finishes: Natural, Tobacco Sunburst and Burgundy Burst.

A solid mahogany-topped model, the V501MH, is also available, in a satin mahogany finish.

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Vintage VEC501 Electro-Acoustic Cutaway Dreadnought

Vintage VEC501 Electro-Acoustic Cutaway Dreadnought

While the VEC501 mirrors the V501 in construction, hardware and tone woods, it offers a lower bout cutaway for increased upper-fret access and, crucially, boasts a Fishman Sonicore undersaddle pickup and Isys+ preamp with 1/4” and USB outputs for direct connection to computers.

Volume, bass and treble knobs control the Isys+ preamp, while it also packs a built-in chromatic tuner, low battery indicator LED and phase button to deal with onstage feedback issues.

Like the V501, the VEC501 is available in Natural, Tobacco Sunburst and Burgundy Burst satin finishes, as well as a mahogany-topped model, the VEC501MH.

The Vintage V501 Acoustic Dreadnought and Vintage VEC501 Electro-Acoustic Cutaway Dreadnought are available now – see JHS for more.

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Michael Astley-Brown
Michael Astley-Brown
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Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.

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