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Sigma SDM-15
This Korean-made, solid- mahogany dreadnought-style electro-acoustic is an awful lot of guitar for the money. It’s also fitted with a Fishman Sonitone pickup as standard.
We said: “Simple beauty, sonic personality, fuss-free operation and great price – it’s very hard to find a downside here”
4.5 out of 5
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Martin GPCPA5K
This Grand Performance-shaped, cutaway Performing Artist series electro-acoustic sports a koa- laminate body, Stratabond neck and Richlite fingerboard, and certainly deviates from the classic template. But it still bears the Martin name – which remains a byword for quality.
We said: “A capable all-rounder with good plugged-in performance, easy playability, a great neck and easy tone”
4 out of 5
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Mariner Capstan
This bijou grand concert-sized, all- solid acoustic with classical-style slotted headstock has a crisply textured voice, and it’s very playable. The guitar is designed in the UK, but Chinese construction ensures good value, too.
We said: “Mariner is still a new name in the affordable market, but the Capstan is a fine fingerstyle-friendly performer”
4 out of 5
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Seagull Entourage Grand Rustic
The parlour-size Entourage Grand Rustic may be diminutive, but its 14-frets-to-the-body design delivers a balanced, intimate voice, ideal for late-night, around- the-dinner-table sessions.
We said: “The Grand is virtually a travel guitar in size, but its full scale and balanced tonality are perfect for both home and recording use”
4 out of 5
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Takamine EG50TH Anniversary
This cutaway electro-acoustic dreadnought catches the eye with a decorated pickguard and ‘growing vine leaf’ mother-of- pearl fingerboard inlay. Sonically, it’s rich, with good depth and sustain, and a clear top-end.
We said: “A slice of the extraordinary, without the matching hiked price tag – an excellent all-rounder”
4 out of 5
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Vintage Paul Brett VE8000PB
Based on the Weymann 12-string parlour acoustic belonging to collector Paul Brett, this six-string acoustic with Fishman Acoustic Matrix VT system is a seriously impressive guitar that’s great for blues and fingerpicking styles.
We said: “Its harmonic detail and sheer playability make it a superb fingerpicker, and an exceptional example of a parlour guitar”
4.5 out of 5
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“I have to try and talk about the neck without sounding offensive or angry”: Johnny Marr says satin finishes have no business being on a guitar neck

“You would get suspended for even having a guitar”: Brian May says it was “illegal” to have a guitar at his school – but he and his friends played during lunch hour anyway

“I have to try and talk about the neck without sounding offensive or angry”: Johnny Marr says satin finishes have no business being on a guitar neck

“You would get suspended for even having a guitar”: Brian May says it was “illegal” to have a guitar at his school – but he and his friends played during lunch hour anyway