Introduction
When it comes to the age old battle of tone vs convenience, Richard Hawley is not renowned for his ability to compromise on the former.
Here, the Sheffieldian songwriter talks us through the guitars, amps and effects that he uses to bring his ear-candy-clad compositions to life in the in the live arena. Just be thankful for you're not in his crew!
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Richard Hawley talks Hollow Meadows, broken bones and rare guitar finds
1957 Gretsch 'G-Brand' 6120
“I have a ’56 as well, which sounds radically different - they were still experimenting to get it right, but there’s some debate over the exact year and month of this one. The book says ’57 but Deed, Duane Eddy’s wife - who knows her onions - says, ‘No, it’s a ’56: no G-brand in ’57’.”
Baldwin Double Six XII 1966
“One of my most treasured guitars, my lovely nanna Betty lent me the £100 to buy this in the mid-80s, which was a fortune to a steel worker’s boy back then,” Richard recalls.
“I was massively into the Byrds - still am - and desperately wanted this guitar. I busked and saved so I could give the money back to her, but she refused to take it back in the end. And she said, ‘It was good that you tried to pay it back and good you learned the value not just the worth of things.’ I smile and think of her every time I play it - she was a lovely woman.”
Pedalboard
Richard’s live effects rig has a strong emphasis on vintage modulation and saturated drive.
Richard says he’s an experimentalist when it comes to pedals for recording, however:
“The cabin is stuffed with pedals. But I’ve got a very anarchic attitude to that. I remember talking to Richard Kirk from Cabaret Voltaire years ago and I asked him a similar question: ‘How did you get that sound?’ And he said, ‘Oh, I don’t know, I just plugged loads of pedals in’ - and I sort of like that very anarchic approach.”
By the numbers
- Beneath the tape indicating settings is Artec’s RSV-3 Resovibe, generating a blend of Uni-Vibestyle phasing and tremolo effects.
- MXR’s Custom Badass ’78 Distortion deals the dirt in Hawley’s sizeable live effects rig, alonside an EHX Big Muff Pi with Tone Wicker.
- Coopersonic The Repeater - a very stark tremolo-style effect that is based on a vintage Vox effect built into the Starstream guitar.
- Akai P1 Intelliphase features threshold controls that allow the player to apply phasing only to quieter verse playing, for example, not solos.
- Catalinbread Pareidolia mimics the harmonic tremolo effect found on some early 60s Fender amps.
Richard Hawley plays Glastonbury on 24 June.
Don't Miss
Richard Hawley talks Hollow Meadows, broken bones and rare guitar finds
