Producer Glyn Johns on why you should listen to The Rolling Stones in mono
In praise of mixing in a single channel
The Rolling Stones in Mono is a new box set that, as you might suspect, gathers together the band's early material and presents it in its original mono state.
Here, producer Glyn Johns, who engineered many of the band's early recordings, explains the key differences between mono and stereo, and why it's the mono versions of The Stones' '60s releases that you should be listening to.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.

“Radio stations all said Layne’s voice is wrong”: Alice In Chains and Jane’s Addiction producer Dave Jerden helped to define the sound of alternative rock

“U wanna hear the raw files”: Producer Mike Dean tells streamers to switch off auto levelling on every music platform, and hear the music as it was meant to be heard