Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Superbooth 2026
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Music Gear Reviews
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
Stone Temple Pilots
Artists “Pimply-faced boys wearing Iron Maiden shirts would be giving us the middle finger”: How Stone Temple Pilots fought their way to the top
Dave Grohl visits SiriusXM Studios on April 29, 2026
Bands “It turned into like a scavenger hunt”: Dave Grohl talks about hiding CDRs of the new Foos album in stores
Emily Burns
Artists Emily Burns on shunning the majors and the freedom of becoming a self-releasing artist
Jake Kiszka of Greta Van Fleet rips a solo on his '61 SG.
Artists Jake Kiszka on the time he went shopping for the world’s most expensive guitar amp in Japan
Jared James Nichols plays his Gibson Futura on a stage lit up in red-pink.
Artists “I felt like I was levitating off the ground. I felt like I was in Cream in 1968”: Jared James Nichols on why he switched to Marshall amps
Nate Garrett of Spirit Adrift is pictured with his Les Paul
Artists Why an underground hero is calling time on one of 21st-century metal's greatest bands
The Killers
Artists How a heartbroken bellboy took his revenge with one of the biggest indie anthems of all time
The Beatles perform at the Cow Palace in Daly City, California, during their Summer 1964 United States and Canada Tour, 19th August 1964. Left to right: Paul McCartney, George Harrison, John Lennon and Ringo Starr. (Photo by William Lovelace/Daily Express/Hulton Archive/Getty Images)
Artists Paul McCartney on what the Beatles "kind of liked" about their male fans on their first US trip
On the left, Sadler Vaden (in white T-shirt) jams with Jason Isbell. On the right, Mike McCready plays his Strat onstage with Pearl Jam.
Artists Sadler Vaden on when he and Jason Isbell jammed Little Wing with Pearl Jam's Mike McCready
A press shot of Paul Gilbert [left] wearing a tricorn hat and playing a pink Ibanez; Todd Rundgren wears dark shades and performs live in 2021.
Artists “To me, it was like being asked to tour with the Beatles”: Paul Gilbert on why he turned down the gig of a lifetime
Eric Johnson takes a solo onstage with his Gibson SG
Artists Eric Johnson on the $400,000 rig he hardly played, the Dumble that got away, and his masterplan for setting his playing free
Paul Gilbert wears a tricorn and period dress as he poses in shred mode with his signature Ibanez guitar
Artists “I’ve got to compete with Bach and Beethoven and Mozart and The Beatles!”: Inside the mind of guitar hero Paul Gilbert
flying lotus
Artists “All I hear is ‘Auto-Tune sucks’ and 'drum machines have no soul'”: Flying Lotus on the backlash against AI music
studio
Music Theory And Songwriting Want to finally finish that track? Here’s how to escape the 4-bar loop trap and actually make some music
asg
Artists “I have a little bit of a love-hate relationship with my Prophet ’08”: Art School Girlfriend on new project Lean In
More
  • Superbooth 2026
  • Kate Bush Army Dreamers
  • 95k+ free music samples
  • Theory of Feels
  1. Artists
  2. Gigs & Festivals

Patrick Stump's 10 essential tips for playing festivals

News
By Rich Chamberlain published 16 June 2014

Fall Out Boy frontman talks festival crowds

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Patrick Stump's ten essential tips for playing festivals

Patrick Stump's ten essential tips for playing festivals

He’s been bottled and booed at Reading, but he's also won over many a crowd with his band’s unnervingly huge arsenal of pop-rock hooks.

Fresh from rocking the main stage at Download 2014, where Fall Out Boy were second on the bill to Linkin Park, we asked frontman Patrick Stump for his top tips on how bands can give a kick-ass festival performance...

Page 1 of 11
Page 1 of 11
Validate your existence

Validate your existence

"There’s a very specific festival culture in the UK. The US is starting to catch on to it, but in the UK people are fans of a specific festival and will buy tickets for that festival before they know who’s playing.

"That’s a challenge as a performer, because you have to know going into it that people might not have bought a ticket if they’d known that you were going to be playing. That lights a fire underneath you.

"In your setlist and ultimate performance, you have to consider, if you have only one set to validate your existence on the planet, what would that be?"

Page 2 of 11
Page 2 of 11
Understand not everyone is there for you

Understand not everyone is there for you

"Headline shows are a different beast altogether. It’s almost like being a conductor, because you know that audience is there to see you. You know what songs they want to hear and what moves you can pull.

"At a festival you don’t know that. We’ve played metal festivals and gone out there thinking they’d want our heavier stuff. Then you play a lighter single and everyone goes nuts! It can be totally leftfield, so you have to play it by ear and judge the crowd as you go."

Page 3 of 11
Page 3 of 11
Prove yourself

Prove yourself

"A lot of the time at a festival, we don’t fit in. That can be fun. It allows us to flex our muscles a little bit. It gives you a different level of energy."

"If you’re doing a pop festival and they know you as a rock band, and you play songs that are catchy and that the people know, that resonates with them. Then when you go out to a heavier festival – and we get this a lot – I think people only know us from a couple of singles, and they don’t think of us as a rock band. But it is definitely a rock show.

"When we’re up against a lot of rock music, it’s fun for us to prove that we are rock musicians. I like being the underdog on the bill. I’d rather earn an audience. Even if they don’t leave buying a record, if they leave saying, ‘Those guys were OK,’ then I’m fine with that!"

Page 4 of 11
Page 4 of 11
Look like you want to be there

Look like you want to be there

"When you put it in perspective in terms of where we’ve been and what our last 13 years have looked like, it is amazing to still be here and have anyone care, let alone be as high as we are on the Download bill.

"It’s weird for us, but when I talk to fans and other people, it doesn’t seem weird to them. It’s weird to me to think that people think we belong there. It’s a lot of responsibility. I grew up on Iron Maiden, so thinking about that makes me want to play and practice harder. I mean, who wants to see a band that doesn’t want to be there?"

Page 5 of 11
Page 5 of 11
Don't feel the pressure

Don't feel the pressure

"I get more pressure from a lot of the stuff leading up to going out and playing.

"Once you get out there, it’s a completely different animal. I don’t feel more or less pressure playing in front of 10 people than I do in front of 20,000 people."

Page 6 of 11
Page 6 of 11
Play it by ear

Play it by ear

"With the set, there’s a certain degree of having to play it by ear. You might think of playing hits, but what is a hit? What's a hit to one band isn’t a hit to another.

"We’ve been lucky to have some songs that people know. But people might bring signs with song names or slogans, and you can sometimes tell what people are into just from that.

"The stage show is the least concern – I only care about the music. The staging, I do care about it, but for me, I always feel like I want to perform and learn how to be adaptable to any set, any staging, anything at all."

Page 7 of 11
Page 7 of 11
Learn to dodge

Learn to dodge

"We played Reading and Leeds one year after Panic At The Disco! I was watching their set and they were, like, one word in and some kids were throwing golf balls. They hit Brendon in the forehead and knocked him out cold.

"He got up, brushed it off and played, and the crowd loved it. But that was a pretty big disappointment for me to watch that and think, ‘Man, why can’t you just listen to the music? Why have you got to throw stuff?’ But I’m good at catching stuff, so I made it through our set.

"The most recent time we played Reading and Leeds, there was something electric about those shows. The audience was excited for us to be there, and we were excited. When the crowd is playing a show with you, that is a good show. I live for those shows."

Page 8 of 11
Page 8 of 11
Win the crowd

Win the crowd

"We did a tour with Blink-182 – half the tour we supported, and half was Weezer supporting. But at some of the Weezer shows, Weezer had to pull out.

"So we showed up, and there were all these Weezer fans in the front row like, ‘What the fuck!’ They were so mad. They were there flipping us off. After a certain point, I would just play the show to them. By the end they were laughing and having a good time.

"I don’t think those kids will ever like my band or buy the record, but you’re there to have a good time, so just have a good time. I could see Vanilla Ice and I’ll have a good time, because if I’m there then I might as well.

"We had a girl at a show with her older sister, and the younger girl was more into pop bands. She was in the front row and couldn’t have looked more bored. We called her out and made her have a good time, and by the end of it she had a blast. I thrive on those moments."

Page 9 of 11
Page 9 of 11
Drink water

Drink water

My advice to a fan at a festival would be drink a ton of water. Because no one ever does, and they get dehydrated, and if it’s hot they pass out. If its not hot, they just get drunk and angry!

"Also, don’t wear flip-flops or sandals. I always see people doing that and wonder what they are thinking. They end up leaving with no toenails. Just wear some shoes. But not a dress shoe – that’s just silly. Be aware, as well, that every band you want to see, you probably will not see them – that is just the reality of festivals."

Page 10 of 11
Page 10 of 11
Leave the theatrics at home

Leave the theatrics at home

"I would say, 'Don’t go in there to a festival doing your crazy theatrics. Just play to your audience.'

"We did a festival in New Orleans, and it was a very musician-heavy audience. Theatrics are a joke to those guys; they just want to see you play – so build a set around that. If you’re playing a pop show, then by all means bring the theatrics and build a show around that. If you’re playing after a jazz band, then it’s a different matter. Oh, and don’t wear flip-flops."

Page 11 of 11
Page 11 of 11
Rich Chamberlain
Rich Chamberlain

Rich is a teacher, one time Rhythm staff writer and experienced freelance journalist who has interviewed countless revered musicians, engineers, producers and stars for the our world-leading music making portfolio, including such titles as Rhythm, Total Guitar, Guitarist, Guitar World, and MusicRadar. His victims include such luminaries as Ice T, Mark Guilani and Jamie Oliver (the drumming one).

Read more
Cory Wong
Artists “My advice is play the song. Can you find a part that is tailored to the music”: Cory Wong’s tips for better rhythm guitar
 
 
Paul Gilbert wears a tricorn and period dress as he poses in shred mode with his signature Ibanez guitar
Artists “I’ve got to compete with Bach and Beethoven and Mozart and The Beatles!”: Inside the mind of guitar hero Paul Gilbert
 
 
My Bloody Valentine
Artists My Bloody Valentine’s sound engineer on wrangling the shoegaze pioneers’ huge live setup
 
 
Zakk Wylde cups his hand to his ear as he asks the crowd for more during a 2026 Black Label Society performance.
Artists “Look at AC/DC. Whatever was popular, it didn’t matter. It’s like McDonald’s. ‘We make the Big Mac and we make fries and we don’t care about doing sushi’”: Zakk Wylde on musical identity, jailhouse rocking with Ozzy and the return of Black Label Society
 
 
A press shot of Paul Gilbert [left] wearing a tricorn hat and playing a pink Ibanez; Todd Rundgren wears dark shades and performs live in 2021.
Artists “To me, it was like being asked to tour with the Beatles”: Paul Gilbert on why he turned down the gig of a lifetime
 
 
Mark Morton of Lamb Of God takes a solo onstage with his prototype signature Les Paul
Artists Mark Morton on the chemistry behind Lamb Of God's twin-guitar groove and what he owes ZZ Top
 
 
Latest in Gigs & Festivals
(L-R) Sabrina Carpenter and Stevie Nicks perform onstage during the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art on May 04, 2026 in New York City.
Artists First Madonna, now Stevie Nicks: Sabrina Carpenter duets with another music legend
 
 
Thomann Montreux Jazz Festival competition graphic
Gigs & Festivals Thomann launch Montreux Jazz Festival competition with hour long slot plus €3,000 performance fee up for grabs
 
 
Concert crowd cheering, concert audience arms raised. Live entertainment concept of music festival crowd cheering for live music performance, rock music concert event, or enthusiast fans enjoying nightlife. Rear view concert crow, audience with concert lights and stage background. Part of a series.
Gigs & Festivals “Don’t just fund problems, fix them”: Music Venue Trust launches small venue upgrade programme
 
 
Madonna at Coachella 2026
Gigs & Festivals “Hello children, mutha is here to save you”: Madonna gatecrashes LA club and debuts some Confessions II tracks
 
 
A young female DJ stretching out the cord from her headphones and making a mean face.
Djs "I don't know what he gets out of it": The scam promoter who's enraging Scottish techno DJs
 
 
Violin knocked out of hand
Artists Watch the moment when a conductor accidentally knocked a £1 million violin out of its player's hand
 
 
Latest in News
O'Flynn in the studio
Tech 5 things we learned in the studio with O'Flynn
 
 
Mike D head shot
Singers & Songwriters Mike D of the Beastie Boys breaks silence with debut solo single, Switch Up
 
 
Native Instruments InMusic
Tech InMusic confirms Native Instruments acquisition, bringing it under the same ownership as Moog and Akai Pro
 
 
Korg
Mixers Korg sneakily launches a new effects-packed performance mixer, the NTS-4, at Superbooth
 
 
Deals of the week logo
Tech MusicRadar deals of the week: Just in time for Mother's Day, we've found $700 off an unusual Gibson, $500 off a stunning Ibanez Prestige AZ2204, plus heavy savings on recording and live gear
 
 
Jared James Nichols plays his Gibson Futura on a stage lit up in red-pink.
Artists “I felt like I was levitating off the ground. I felt like I was in Cream in 1968”: Jared James Nichols on why he switched to Marshall amps
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...