NAMM 2011: TC-Helicon unveils VoiceTone Singles vocal processing pedals
NAMM 2011: TC-Helicon unveils VoiceTone Singles vocal processing pedals
NAMM 2011: TC-Helicon unveils VoiceTone Singles vocal processing pedals
NAMM 2011: TC-Helicon unveils VoiceTone Singles vocal processing pedals
NAMM 2011: TC-Helicon unveils VoiceTone Singles vocal processing pedals
NAMM 2011 PRESS RELEASE: TC-Helicon is proud to announce the arrival of the VoiceTone Singles range - four vocal processing pedals, each with a single mission - to allow any vocalist to deliver jaw-dropping performances.
VoiceTone Singles are the ultimate combination of tone and simplicity. Each of the four effects has inherited algorithms from the award-winning VoiceLive 2, so although VoiceTone Singles come in small packages they deliver a big sound.
Four to the floor: the four pedals in the VoiceTone Singles range:
T1: Adaptive Tone and Dynamics
C1: HardTune & Correction
D1: Double & Detune
R1: Vocal Tuned Reverb
So whether you choose top quality reverb, doubling and detuning effects, pitch correction or compression, EQ and de-essing, VoiceTone Singles have it covered in the compact simplicity of a pedal.
VoiceTone Singles not only deliver the sound vocalists dream of in a compact and easy to operate pedal, they also push the boundaries of innovation with the addition of Mic Control - TC-Helicon's unique and innovative new technology that allows vocalists to switch the effects on and off with TC-Helicon's brand new MP-75 Modern Performance vocal microphone.
Up to four VoiceTone Singles can be connected together with the Singles Connection Kit to form the ultimate vocal processing chain. The kit includes a 12V power supply, 3 x DC daisychaining connectors, 3 x short XLR cables.
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“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard