NAMM 2011: T-Rex launches Reptile 2, Twister 2, and Tonebug Sustainer
Trio of guitar FX pedals heading to Anaheim
NAMM 2011 PRESS RELASE: T-Rex Engineering, the Danish guitar effects pedal manufacturer, will present the newest members of its growing line of boutique effects pedals at the 2011 NAMM Show. The new pedals include: Reptile 2, Twister 2, and Tonebug Sustainer.
Reptile 2
Originally conceived to offer the killer delay tone and certain controls found on its 'big brother' Replica pedal at a more affordable price, the Reptile gets a facelift for 2011. It now features a convenient Tap Tempo function, allowing the user to quickly and easily get in sync in a live setting.
The Reptile 2 also features an enhanced set of Flutter controls, providing great retro-sounding, tape-delay 'warble'.
Twister 2
Another classic T-Rex pedal updated for 2011! We gave the Twister a face-lift based on user feed-back, and it has been completely updated with new hardware and software. The Light / Heavy switch has been removed and the Twister 2 covers a wider tonal range than the original Twister.
The new software update does the trick - by adjusting Depth, Tone and Rate, you can make Twister II deliver both old-fashioned vintage sound as well as a more modern chorus sound.
Tonebug Sustainer
The Tonebug Sustainer joins this growing line of T-Rex pedals built with a simple philosophy in mind: to offer the classic T-Rex tone found in our higher-end pedals, with intuitive, uncomplicated controls, at a price that any guitarist can afford. The Tonebug Sustainer first compresses the signal, and then applies gain to keep your tone playing.
The result is gorgeous, natural-sounding sustain for long-lasting power chords. Your tone is preserved, with no artificial colouring. Features Compression, Sustain, and Attack controls.
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“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard