Musikmesse 2016: Mooer dreams up Reverie Reverb and Chorus guitar effects pedals
Tap tempo-equipped stompboxes cover modulation and 'verb
MUSIKMESSE 2016: Despite a reputation as the firebrands behind the mini-pedal revolution, Mooer has been quietly building a line in twin-footswitch'd pedals, and the Reverie Reverb and Reverie Chorus are the latest to join the range.
Mooer Reverie Reverb
Building on last year's ShimVerb Pro, the Reverie Reverb reverb pedal focuses on more esoteric atmospheres, with five types of reverb - plate, shimmer, octave, modulation and, erm, reverb (spanning room to hall) - which can each be effected by five effects: wah, low-pass, flanger, tremolo and, oddly enough, water (a "special phase effect").
Five presets are available to store sounds, while tap tempo allows for adjustment of reverb during live performance; there's a decent amount of onboard knobbage on hand, too, covering speed, range and depth (for effects); plus tone/parameter, decay and mix (for reverb). Stereo inputs and outputs round off the spec.
Mooer Reverie Chorus
Like the Reverie Reverb, the Reverie Chorus packs five basic effects - chorus, rotary, ambience, shimmer (a reverb-style octave up) and multiple - which can be effected by eight effects: wah, phaser, talk, tremolo, stutter, square-wave tremolo/wah, square-wave tremolo/phaser and tremolo/wah.
Again, five presets, tap tempo and stereo ins/outs are all here, with a complement of speed, range/tone, mod depth, rate, depth and mix knobs.
Both pedals look like credible, versatile options for players on a budget, although we hope Mooer have upgraded the DSP chip to do away with the noise and tracking problems that marked down its previous pedals.
RRP and availability are yet to be confirmed, but we'd expect these to arrive in May/June at around £120-£140.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“Ideal for maintaining clarity in extended-range instruments”: Abasi Concepts wants to take your tone to the next level with the Micro-Aggressor – a boost-style compressor voiced for low-end guitar
“The same sound engine and colour touch display as the GX-100 in a portable, travel-ready design”: Boss promises a “universe” of tones from the small but mighty GX-10 amp modeller and multi-effects