Matthew Herbert refused permission to record pig slaughter
Matthew Herbert has revealed that he wasn't allowed to go ahead with his plan to record the slaughter of a pig.
This was to be a central part of the artist's One Pig project, which involves him creating an album made up entirely of sounds made during the life cycle of a pig.
"Rather frustratingly, and despite many phone calls we have found it impossible to find an abattoir to allow us to record the death of the pig," said Herbert on his blog. "We found one farmer willing to let us record, but then the attending vet did not allow it."
He continued: "For me the death was always a crucial part of the project. It was the part I was looking forward to the least, but the part I felt was most pertinent in my understanding of this life."
A later post on the blog revealed that the pig whose life Herbert has been following was killed earlier this week. Presumably, work on the One Pig album can now begin.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
"I'm like, I'm freaked out right now. I'm scared. I feel like I'm drowning on stage and I feel like I'm failing”: SZA on that misfiring Glastonbury headline set
“It sounded so amazing that people said to me, ‘I can hear the bass’, which usually they don’t say to me very often”: U2 bassist Adam Clayton contrasts the live audio mix in the Las Vegas Sphere to “these sports buildings that sound terrible”
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
"I'm like, I'm freaked out right now. I'm scared. I feel like I'm drowning on stage and I feel like I'm failing”: SZA on that misfiring Glastonbury headline set
“It sounded so amazing that people said to me, ‘I can hear the bass’, which usually they don’t say to me very often”: U2 bassist Adam Clayton contrasts the live audio mix in the Las Vegas Sphere to “these sports buildings that sound terrible”