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  1. Guitars

Live rigs revealed: The Gaslight Anthem's Brian Fallon

News
By Total Guitar magazine published 28 April 2011

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Live rigs revealed: The Gaslight Anthem's Brian Fallon

Live rigs revealed: The Gaslight Anthem's Brian Fallon

Total Guitar caught up with The Gaslight Anthem on their most recent UK tour and persuaded frontman Brian Fallon to talk through his stripped-down, all-killer live setup.

Click onwards to find out what he uses to get that signature raw rock 'n' roll sound...

Page 1 of 7
Page 1 of 7
Gibson Custom 1956 Les Paul Goldtop VOS

Gibson Custom 1956 Les Paul Goldtop VOS

“The main guitar that I use is a ’56 VOS Goldtop Gibson Les Paul. I flip the volume knobs, so that the bridge volume is closer to my finger – then I can grab it with my pinky and do volume swells.”

Page 2 of 7
Page 2 of 7
Dr Z Remedy head

Dr Z Remedy head

“You just get the perfect amp. I’ve got four of them and they all sound the same. It’s essentially all the things you like about old Marshalls and Fenders, but without all the high-end and with no squishy bottom end.

"The bass and the trebles are right around nine o’clock and the mid is around 11. A guitar is essentially a mid-frequency instrument, so I boost the mids and it helps me cut through the sound, but it doesn’t get in the way of Alex [Rosamilia, guitar and backing vocals].”

Page 3 of 7
Page 3 of 7
Luther Lee P-90 pickups

Luther Lee P-90 pickups

“I use these pickups that I get custom made in New Jersey. They’re called Luther Lee Pickups. He takes old magnets and re-winds them exactly the way that they were and by hand so you get that actual '50s sound."

Page 4 of 7
Page 4 of 7
Orange PPC 412 speaker cabinet

Orange PPC 412 speaker cabinet

“I use Orange cabs when I’m in Europe, but usually I use Dr Z 2 x 12 Z Best cabinets. There aren’t a lot of 2 x 12 cabinets in Europe, but I think if you’re going to use a 4 x 12 cabinet then Orange makes probably the best.”

Page 5 of 7
Page 5 of 7
Mad Professor Sweet Honey Overdrive

Mad Professor Sweet Honey Overdrive

“I use this on a lot of the older, faster stuff. They’re amazing because you can leave the pedal on all the time and control what’s going on through the volume. It doesn’t mess up your sound, though; it just adds a little bit of a ‘chime’.”

Read the review

Page 6 of 7
Page 6 of 7
T-Rex Replica Delay

T-Rex Replica Delay

“I use a T-Rex Replica delay pedal, mostly for a solo or a volume swell or something like that. I use it like a slapback Elvis Presley kind of sound. It just kind of goes on once in a while.”

Liked this? Check out more of the same in Live Rigs Of The Rich & Famous or watch The Gaslight Anthem: Three Riffs In Three Minutes video lesson

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Page 7 of 7
Page 7 of 7
Total Guitar magazine
Read more
Bruce Springsteen, circa 1982
“It was kinda like punk rockabilly”: Springsteen to release electric versions of Nebraska tracks
 
 
Brad Whitford, Tom Hamilton, Joey Kramer (drums), Steven Tyler and Joe Perry of Aerosmith on "Midnight Special" in Burbank, CA - June 1974. (Photo by Jeffrey Mayer/WireImage)
Aerosmith’s Joe Perry and Brad Whitford on the support act who completely upstaged them
 
 
Bruce Springsteen
“There’s a lot of good music left”: Springsteen releases Born To Run out-take onto streaming platforms
 
 
Troy Van Leeuwen of Queens of the Stone Age plays a red/orange Gretsch onstage, and is framed by a triangle of yellow-green stagelights.
“It was the most bizarre musical experience”: QOTSA’s Troy Van Leeuwen on playing Paris's Catacombs
 
 
Thin Lizzy live in 1978, Brian Robertson in white, playing his Les Paul, Phil Lynott in the middle on bass and vocals, and Scott Gorham in red trousers and an open blue shirt playing a tomato burst Les Paul
Scott Gorham recalls Thin Lizzy’s close shave when they nearly split over Brian Robertson’s beard
 
 
Brent Smith of Shinedown performs during the US rockers' Dance, Kid, Dance Tour 2025.
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