Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
More
  • NAMM 2026: as it happened
  • Best NAMM tech gear
  • Joni's Woodstock
  • 95k+ free music samples
  1. Artists

J Mascis on Jazz-y paintjobs and getting bottled by a soundman

News
By Matt Parker ( Total Guitar ) published 13 October 2014

The cult guitar hero speaks

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Got my first real six string

Got my first real six string

“My first guitar was a Jazzmaster. I guess I was 17. I wanted a Strat, but I couldn’t afford it. I went to the store, and in the paper they’d said it was $400, but then you get to the store and they wanted $450.

"It was like ‘Slimy Bob’s Guitar Rip-off’, the guy was pretty sleazy. I could have bought a Jaguar for $200 or bought a Jazzmaster for $300. I had $400, so I bought the Jazzmaster and this cheap cabinet.”

Page 1 of 7
Page 1 of 7
There is a light that never goes out

There is a light that never goes out

“Our biggest breakthrough came pretty soon after forming; we made an album [1985’s Dinosaur].

"We didn’t really have a style and I could barely play, but we did the song Bulbs Of Passion and I really liked it. I finally felt like we were coming into our own sound. I never thought about guitar playing. It was just ‘the band’ and ‘the songs’. I thought I could teach somebody how to play the drums, but I didn’t like any of the guitarists around, so I picked it up.”

Page 2 of 7
Page 2 of 7
Just a castaway, an island lost at sea

Just a castaway, an island lost at sea

“If I’m just playing for myself on a desert island, I’d probably bring a Fender Super Champ.

"I’m not sure what guitar I would bring, it would depend on what state of mind I was in at the time. Maybe I’d just bring my Tele that I like, and that’s my favourite guitar. Then one pedal? Maybe a tuner!”

Page 3 of 7
Page 3 of 7
When I paint my masterpiece

When I paint my masterpiece

“I don’t sell that much stuff, so if I get rid of it, it’s pretty much for a reason. I guess it would be good to have my first Jazzmaster, but I sold it for a lot of money, and I would rather have the money, still.

"I’ve had a lot of guitars stolen, but I’ve got other guitars, I more miss the paint jobs. The sparkle finishes took like six months to do. I still have two Teles that I painted, but I guess I miss the paint jobs.”

Page 4 of 7
Page 4 of 7
Let the jukebox keep on playing

Let the jukebox keep on playing

“My greatest strength, probably, is that I can just keep playing. My whole style is just to keep playing, because I’m playing so loud and with all this fuzz, and if you stop playing it’s just insane noise.

"You have to keep playing otherwise it’s just going to be this squall of noise and people freak out and turn off the guitar, so I just keep playing to make it sound like something. My biggest weakness, is I guess, fingerpicking. I’m not too good at it. Not if you go and see Richard Thompson.”

Page 5 of 7
Page 5 of 7
When the going gets tough

When the going gets tough

“I guess the toughest time I had as a musician was when we first started Dinosaur and people just hated us.

"We were really loud, and we had no fans. If you tried to play anywhere, they were just like, ‘Stop playing. You’re annoying. We can’t hear the bartender.’

"We had a soundman throw a bottle at us! The soundman would turn down my amp while I was playing and I would run behind and turn it up. But, yeah, the soundman throwing the bottle at us was tough.”

Page 6 of 7
Page 6 of 7
Advice for the young at heart

Advice for the young at heart

“The best advice I can give is: if you want to play, play. If you have that desire and drive, then just play. Don’t get wrapped up in trying to be a star.

"It just seems more reasonable to just play and if people like you, that’s great; if they don’t, and you like to play, you may as well just do it. That’s my philosophy. You have to amuse yourself first and then let others worry about what you’re doing. You’re the first line that you have to get through.”

Page 7 of 7
Page 7 of 7
Matt Parker
Matt Parker

Matt is a freelance journalist who has spent the last decade interviewing musicians for the likes of Total Guitar, Guitarist, Guitar World, MusicRadar, NME.com, DJ Mag and Electronic Sound. In 2020, he launched CreativeMoney.co.uk, which aims to share the ideas that make creative lifestyles more sustainable. He plays guitar, but should not be allowed near your delay pedals.

Stay up to date with the latest gear and tuition. image
Stay up to date with the latest gear and tuition.
Subscribe and save today!
More Info
Latest in Artists
Clyde Lawrence and Greg Phillinganes
Greg Phillinganes schools Clyde Lawrence on how to play the piano part in Toto’s Rosanna correctly
 
 
Wet Leg
“It’s quite funny when people ask us what it means”: How Wet Leg's breakout hit was written in a single day
 
 
YouTube still of Chandelier video
How Sia made one of the biggest tracks of the 2010s
 
 
Concert crowd arms raised in mosh pit
“What kind of ecosystem do we want for live music in Europe?”: New research shows the grip four companies have on live music
 
 
Guitarist Greg Brown is shown performing on stage during a live concert appearance with Cake on November 12, 1996
His creative contributions were immense”: Greg Brown, co-founder of 90s band Cake has died
 
 
British New Wave & Pop musician Howard Jones plays keyboards as he performs onstage at Forest Hills Stadium, Queens, New York, August 3, 1984. (Photo by Gary Gershoff/Getty Images)
"It will always be my favourite”: Howard Jones takes you on a tour of the synth he’s owned since 1983
 
 
Latest in News
vape synth
Hack your disposable vape into a mini wind synth with this DIY guide
 
 
ring stinger
Behringer clones the Lovetone Ring Stinger, a cult classic ring mod/fuzz pedal heard on Radiohead's Kid A
 
 
Gibson Custom Shop Aged Greenybucker Set: with the nickel housings given the Murphy Lab treatment, these are exacting replicas of the pickups found in the Gibson Custom Kirk Hammett “Greeny” Les Paul, complete with the out-of-phase middle position sound.
Gibson unveils the $449 Murphy Lab aged humbucker set that will make your Les Paul sound like ‘Greeny’
 
 
Deals of the week
MusicRadar deals of the week: We round up all the best Presidents' Day discounts from Guitar Center, Musician's Friend, and Sweetwater
 
 
Claw.fm screenshot
“Give your agent a music career”: New online radio station launches for AI agents’ music
 
 
Gibson Les Paul Standard 60s
A whopping $900 discount on a stunning Gibson Les Paul is the headline act of Guitar Center's early Presidents' Day sale, plus a generous up to 30% off a range of music-making gear
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...