Zoom MultiStomp MS-70CDR
Japanese effects whiz Zoom has been turning out a ton of great effects of late, but we reckon the MS-70CDR might just be the most exciting of the lot.
The company’s latest multi-effects concentrates solely on modulation, delay and reverb, with 86 effects in total, including ethereal, shimmering, all-new models of boutique brands.
One of these beauties has just landed on TG's Great Desk Of Gear, so we thought we’d share a few unboxing shots with you lucky, lucky people. Look out for a full review very soon…
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That is one good-looking box. But it’s not quite as exciting as what lies within…
Zoom MultiStomp MS-70CDR
Bam! It’s an MS-70CDR in its plastic prison, plus a comprehensive manual and a pair of AA batteries
Zoom MultiStomp MS-70CDR
Surrounding the MultiStomp’s footswitch are four cursor keys, which allow you to scroll through the banks of effects and patches
Zoom MultiStomp MS-70CDR
Three push-button knobs adjust individual pedal parameters, displayed onscreen
Zoom MultiStomp MS-70CDR
And here’s the screen in action – the Shimmer Reverb we’ve called up here boasts pitch-shifted delays and reverbs for huge soundscapes
![Eric Clapton and his gold-plated Cry Baby: [Left] a black and white image of Clapton playing his Bigsby-equipped Gibson Les Paul standard live on stage with Cream.](https://cdn.mos.cms.futurecdn.net/aPowLRdfjdvVAiwU8PYuBh-1280-80.jpg.webp)
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
