In pictures: TC Electronic Minis unboxed
TonePrint-enabled pedals get tiny
TC Electronic Minis
We’ve already seen a few diddy pedals in the TC line – the PolyTune Mini, Ditto Looper, Spark Mini Booster and Hall Of Fame Mini – but now, TC has shrunk four more TonePrint pedals: the Flashback Delay, Corona Chorus, Shaker Vibrato and Vortex Flanger.
We’ve been bursting to tell you about these pedals for weeks, so here’s a first look at the new additions to the TC family.
For the full review of the TC Electronic Minis, check out Total Guitar issue 256, on sale 7 July.
TC Electronic Minis
Just look at ’em: they’re tiny! Somehow, TC has managed to cram true bypass, analogue dry-through and three controls into each of these compact enclosures
TC Electronic Minis
This is the Corona Mini Chorus, which boasts TC’s classic SCF Chorus sound, along with a ton of other models, courtesy of TonePrints
TC Electronic Minis
The Flashback Mini Delay is one of the most versatile offerings in the new line – you’ll definitely want to keep your phone handy for beaming TonePrints
TC Electronic Minis
Vibrato isn’t an effect that guitarists use too much, but the Shaker Mini Vibrato is the smallest way to get it on your ’board
TC Electronic Minis
From classic jetplane swoops to zero-through flanging, the Vortex Mini Flanger provides the ultimate whoosh fulfilment
TC Electronic Minis
And finally, here’s a size comparison between the original Corona Chorus and its Mini brother; the smaller pedal loses the mode switch and tone knob, and runs from a power supply only, but keeps all the key features intact – good job, TC!
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
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“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard