The Electro-Harmonix Microsynth is one of EHX's more esoteric stompboxes, dripping with warm analogue synth goodness.
The original Micro Synthesizer has long been one of the best pedals around for mangling your guitar sound, so we are pleased to see EHX continue the recent trend that's seen the company repackage some of its classic effects in more compact, road-proof housings.
Although the row of sliders may look a little daunting, the controls are fairly self explanatory and it wasn't long before we were making sounds that would make a purist weep.
The guitar tones on the following demo were created running the Microsynth on various settings into the 1964 Blackface 'Lux model on Line 6 GearBox. The only exception is the initial rhythm sound, for which we disengaged the pedal.
Hear it in action:
![Eric Clapton and his gold-plated Cry Baby: [Left] a black and white image of Clapton playing his Bigsby-equipped Gibson Les Paul standard live on stage with Cream.](https://cdn.mos.cms.futurecdn.net/aPowLRdfjdvVAiwU8PYuBh-1280-80.jpg.webp)
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
