Fall Of Troy's Thomas Erak talks influences and new album plans
Erak reveals the next move for the band and some of the influences on his keyboard and guitar playing

For the uninitiated, The Fall Of Troy are a three-piece alternative rock band from Washington State that combine power and melody with a ferociously progressive mindset, with blazing guitar lines snaking around unpredictable time signatures.
Backstage at Download 2008, MusicRadar caught up with Fall Of Troy singer and guitarist Thomas Erak. Fresh from a triumphant, explosive set, Erak took the time out to discuss the band's plans for their next album, his favourite gear and also reveal some of the influences that have shaped his playing, both on guitar and keyboards.
For a taster of the band, check out the promo video for Cut Down All The Trees And Name The Streets After Them, from their most recent album, Manipulator.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
Chris Vinnicombe worked with us here on the MusicRadar team from the site's initial launch way back in 2007, and also contributed to Guitarist magazine as Features Editor until 2014, as well as Total Guitar magazine, amongst others. These days he can be found at Gibson Guitars, where he is editor-in-chief.

"Reggae is more freeform than the blues. But more important, reggae is for everyone": Bob Marley and the Wailers' Catch a Fire, track-by-track

“Part of a beautiful American tradition”: A music theory expert explains the country roots of Beyoncé’s Texas Hold ‘Em, and why it also owes a debt to the blues