Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
Bad Company
Artists “Simon said to Rodgers, ‘If you want to hit anyone, hit me’ – so he did”: The supergroup who split after a punch-up
A classic black-and-white live shot of Robben Ford and Miles Davis performing together in 1986, with Ford playing a Fender Stratocaster.
Artists Robben Ford on how playing with Miles Davis set him up for life
Paul McCartney
Artists “It's a sad song because it's all about the unattainable”: The ballad that sparked the breakup of The Beatles
A press shot of Paul Gilbert [left] wearing a tricorn hat and playing a pink Ibanez; Todd Rundgren wears dark shades and performs live in 2021.
Artists “To me, it was like being asked to tour with the Beatles”: Paul Gilbert on why he turned down the gig of a lifetime
Diamond Head
Artists “We were labelled ‘the new Led Zeppelin’. But it was a blessing and a curse”: A great rock band that had it all – and then blew it
John 'Cougar' Mellencamp
Artists “It was a terrible record to make. The arrangement’s so weird”: How John ‘Cougar’ Mellencamp created a classic '80s No.1
Jeff Lynne in 1977
Artists “I got up and the sun was shining, and I came up with Mr. Blue Sky”: How Jeff Lynne created his masterpiece
Jack and Meg White in 2003
Artists “It was a challenge to myself: ‘I’m not gonna have a chorus in this song’”: How Jack White created the riff of the century
George Harrison wears all white and plays an acoustic guitar during his 1974 Dark Horse tour.
Artists “When I first met George I was speechless”: Robben Ford on what it was like working with a Beatle at the age of 22
Texan guitar phenom Eric Johnson plays a Fender Stratocaster in a Tropical Turquoise finish during a 2016 performance with the Experience Hendrix Tour.
Artists “It would be way better if drummers weren’t reduced to nothing”: Eric Johnson on the one thing he doesn’t like about modern pop music
Supertramp
Artists “A&M Records didn’t know we were signed to them – even though we’d done two albums for them!”: Supertramp's rise and fall
Eagles
Artists “I don’t think we’ll have to take peyote and puke like we did”: How Don Henley and Glenn Frey remembered the Eagles’ wild years
Foreigner
Artists “Lou fixated on her and his vocal was done in one take”: How Foreigner and producer Mutt Lange created a classic hit
Angus Young, live onstage at the Los Angeles Colisseum in 1984
Artists “The sound of his guitar has got that hard edge to it. It’s not clean – it’s nasty!”: Angus Young's guitar heroes
Don Henley and Glenn Frey
Artists “He wrote some of the best parts of Hotel California and Desperado”: Don Henley’s praise for his Eagles bandmate Glenn Frey
More
  • Sly and Survivor
  • In My Life
  • 95k+ free music samples
  • One chord Diamond
  1. Artists
  2. Gigs & Festivals

Def Leppard's Phil Collen: my best and worst gigs ever

News
By Joe Bosso published 25 November 2014

"Certain shows are so good that they almost play themselves"

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

The best

The best

Continuing our series My Best And Worst Gigs Ever, Def Leppard guitar star Phil Collen talks about one show that stands out in his mind as being the greatest he's ever played – and one that didn't work out so well.

“I’ve been fortunate to have played a lot of great shows all over the world. If I had to pick one that really stands out, it would be one of the ‘event’ shows. The Freddie Mercury tribute at Wembley comes to mind for many reasons – it was also Vivian’s first real gig with us. The nerves were running high that night. I never really get stage fright, but we were all pretty nervous for that one.

“Don Valley in Sheffield was the first time we ever headlined a British stadium, so that was an amazing one, too; it was a great audience and a really fantastic day for us. But I think the best one might be when we headlined the Download Festival in 2009. It was just one of those gigs where all the stars lined up beautifully.

“The audience was massive – 85,000 people – and the weather was perfect. A lot of European festivals can be mudfests, but the sun came out for us, and it just stayed beautiful. During our set, the sun went down, and the view from the stage was spectacular. From the very first note, we played our asses off; everybody was totally on their game. The sound on stage was spot-on, too, which really helped. It’s always a help when the acoustics cooperate.

“Certain shows are so good that they almost play themselves, and Download was like that. This has happened to me about five or six times in my life, when I feel as though I’m having an out-of-body experience. Somebody else is playing the show, and I’m kind of channeling that person. That was Download. It was like I couldn’t play a wrong note. Everything I did worked – I didn't even have to think about it. No matter what I tried, I couldn't miss. The same thing happened with my vocals. I was like, ‘Wow, who’s singing? That sounds so good. Oh… it’s me!’ [Laughs]

“It was also a special night because 26 years prior to it, Rick Allen had played Donnington, which is what Download was called then. It was his first show after the accident. We got a standing ovation that night – people were crying and sending such joy and appreciation to the stage. To come back to the same stage all that time later and be welcomed as returning heroes was an incredible feeling. If you get even one gig like that in your lifetime, that’s pretty cool.”

Page 1 of 2
Page 1 of 2
The worst

The worst

“There have been a few bad gigs – every band has an off night. To be in a rock band, you need to have a certain amount of confidence and swagger; you have to be able to go out there and just know you're gonna knock everybody out. If you haven’t got your mojo, for whatever reasons, it can lead to a real downward spiral. This is something I experienced one night in Wichita, Kansas, during the Adrenalize tour.

“We used to play in the round, and for our opening number, our big entrance, there would be this kabuki that would drop down. It was basically a tent, so we were in darkness. Joe would say, ‘Do you wanna get rocked?’ and then I’d hit the guitar riff; that riff was the cue for the crew guys, on the count of 1, to let go of the ropes that would bring up the whole curtain. Right as that happened, we’d bust out and blaze into Let’s Get Rocked. It was a cool opener.

“Only problem that night was, my guitar wasn’t turned on. I was playing, but nobody could hear me. We all just looked at each other like, ‘Oh, shit, what do we do?’ Rick didn’t know where to start, and so the crew guys just kind of yanked the ropes up whenever, totally in the wrong place, exposing us like a bunch of deer in the headlights. We just kind of trainwrecked into the song. It was a mess.

“Let’s Get Rocked is sort of a difficult song to play anyway; it seems simple, but it’s really easy to fuck up. So as we're falling into the song, the audience just looked at us like, ‘What are they doing?’ [Laughs] It was a real struggle to get the mojo back. Everything just went pear-shaped, and we felt so silly. It was totally embarrassing.

“My guitar didn’t come on till we were into the first chorus, so I was basically doing air guitar for a while there. The weird thing was, that fucked-up opening put a black cloud over us for almost the whole show. It wasn’t until our acoustic set that we started to feel confident again. That’s not like us – usually we can roll with whatever goes wrong. And believe me, things go wrong on tour; that’s just the nature of live shows. But screwing up the first song knocked us off our game. It’s never happened since, thank God.

“Later on, we had a laugh about it; we sat backstage and talked about Spinal Tap and all that – the pods not opening. You have to find some humor in it. But while it’s happening, it doesn’t seem funny at all. You just stand there thinking, ‘This is terrible. Somebody get me outta here!’” [Laughs]

Page 2 of 2
Page 2 of 2
Joe Bosso
Joe Bosso

Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.

Read more
Def Leppard
Artists “The studio bill was £148.50. So with the £1.50 in change we all bought fish and chips”: Def Leppard's low-budget EP
 
 
A press shot of Paul Gilbert [left] wearing a tricorn hat and playing a pink Ibanez; Todd Rundgren wears dark shades and performs live in 2021.
Artists “To me, it was like being asked to tour with the Beatles”: Paul Gilbert on why he turned down the gig of a lifetime
 
 
Phil Campbell
Artists “I thought Motörhead was just a load of noise – but good noise”: A classic interview with former Motörhead guitarist Phil Campbell
 
 
Phil Collins
Artists “That was a big mistake. I underestimated just how difficult it would be”: When Phil Collins played drums with a Genesis tribute act
 
 
Gary Numan and Dave Dupuis
Artists "I honestly don’t think I would keep going if he quit": Gary Numan on the man who makes his live shows tick
 
 
Diamond Head
Artists “We were labelled ‘the new Led Zeppelin’. But it was a blessing and a curse”: A great rock band that had it all – and then blew it
 
 
Latest in Gigs & Festivals
K-pop boy band BTS perform onstage during comeback concert at Gwanghwamun Square on March 21, 2026
Gigs & Festivals Shares in BTS parent company Hybe fall 15% after ‘disappointing’ attendance for Seoul comeback gig
 
 
A fan uses her phone to record Colombian singer Shakira
Gigs & Festivals Unwatched and unloved: Two thirds of recorded footage from UK gigs is never played back
 
 
Thom Yorke, Philip Selway, Jonny Greenwood, and Clive Deamer of Radiohead perform at Madison Square Garden on July 10, 2018 in New York City
Gigs & Festivals “We’re going to do 20 shows each year”: Radiohead suggest they’ll play short term residencies in other continents
 
 
The Ticketmaster logo is displayed on a smartphone screen in this photo illustration
Gigs & Festivals “I urge them to reconsider”: Minister’s message to Live Nation over £1 arena and stadium levy
 
 
Alex James of Blur performs at the Coachella Stage during the 2024 Coachella Valley Music and Arts Festival
Gigs & Festivals “Who knows what’s next?”: Alex James on Britpop Classical, Blur and prospect of returning to Coachella
 
 
The Ticketmaster logo is displayed on a smartphone screen in this photo illustration
Gigs & Festivals “This will revolutionise the ticketing marketplace”: US Justice Department and Live Nation sign deal
 
 
Latest in News
Teddi Mellencamp presents the iHeartRadio Icon Award to honoree John Mellencamp onstage during the 2026 iHeartRadio Music Award
Singers & Songwriters “He saved my life”: Teddi Mellencamp pays tribute to her dad at iHeart Radio Awards
 
 
suno
Tech Suno takes another step into music production with AI step sequencer MILO-1080
 
 
MANCHESTER, ENGLAND - MARCH 26: Olivia Dean performs onstage during the 2026 MOBO Awards at Co-op Live on March 26, 2026 in Manchester, England. (Photo by Joseph Okpako/Getty Images for MOBO)
Artists Olivia Dean cleans up at the Mobo Awards, as Pharrell Williams accepts a special prize for songwriting
 
 
Sam Fender performs onstage during day two of the Syd For Solen Festival at Valbyparken on August 08, 2025 in Copenhagen, Denmar
Singers & Songwriters “Projects like these are so important”: Sam Fender has raised £50,000 for youth music charity
 
 
Anderson .Paak
Drummers “That thing’s got great breaks”: Anderson .Paak rides through LA… playing a drum kit on wheels
 
 
Deals of the week logo
Tech MusicRadar deals of the week: We've found over £1,000 off a PRS, $200 off the Akai Pro MPC Key 37, and so much more
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...