Danelectro ups the ante with 4 new electric guitar and bass models
'64, '59M Spruce, '59 Resonator and 59DC Long Scale Bass available now
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Introduction
This year, Danelectro celebrates 60 years of guitar building, so what better way to commemorate the occasion than with four new models?
The '64, 59M Spruce, '59 Resonator signal a change in focus from the brand, offering improved construction and a higher price tag to match, while the '59DC Long Scale Bass pairs a longer scale length with classic Dano traits.
All four models are available now - read on for more info…
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Danelectro '64
Inspired by '60s Mosrites, the '64 offers a solid agathis body with licensed Bigsby vibrato, vintage-style neck single coil and coil-splittable Lipstick bridge humbucker.
Finishes include Dark Aqua, Vintage White, Indigo, Metallic Orange, Candy Apple Red and Three-Tone Sunburst.
Read our full Danelectro '64 review
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Danelectro '59M Spruce
Based on the classic '59 double-cut - famously wielded by one Jimmy Page - the '59M Spruce tweaks the formula with a spruce soundboard and offset soundhole.
Elsewhere, it's business as usual, with a pair of Lipstick single coils and intonatable wraparound bridge.
Some interesting finish options are on offer, however: White Pearl with a choice of Blue, Red or Black 'Seal' scratchplates, or Black Pearl, Buttercup and Chianti.
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Danelectro '59 Resonator
“The best-sounding resonator guitar ever”, according to Danelectro, the '59 Shorthorn-based '59 Resonator matches a piezo pickup in the cone with a '56 Lipstick pickup at the neck for blendable electric and acoustic tones via an onboard blend control.
Finish options are Black and Tobacco Sunburst.
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Danelectro '59DC Long Scale Bass
Classic Dano tones and playability meet a 34” scale length on this updated bass.
A fully adjustable bridge and two high-output Lipstick pickups round out the spec, while finishes comprise Black and Copper Burst.
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
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