Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
Josh Freese
Artists “People said, ‘Hey, I saw you’re on that Avril Lavigne record.’ I went, ‘Nah!'”: The drummer who’s played on 400 albums
trevor horn
Artists "It was the best-sounding piece of kit ever – but they were so up themselves": Trevor Horn on the pioneering synth that defined the sound of Welcome to the Pleasuredome
teed
Artists How TEED went back to basics with a bedroom set-up and a borrowed synth for third album Always With Me
Justin Hawkins
Artists “He wanted it to sound tinny, so he literally put the mic in a tin”: When The Darkness teamed up with Queen’s producer
ABBA Voyage
Gigs & Festivals The producers of ABBA Voyage say that it was "never a format to copy"
Oasis Live '25
Artists How Oasis brought Noel and Liam’s touring crews together for their triumphant Live ‘25 reunion
LOS ANGELES, CA - JUNE 12: Rock band Radiohead poses for a portrait at Capitol Records during the release of their album OK Computer in Los Angeles, California on June 12, 1997. (Photo by Jim Steinfeldt/Michael Ochs Archives/Getty Images)
Bands “I fought tooth and nail": Radiohead on the resurgent OK Computer track that almost split the band
Kraftwerk, German electronic band, during a concert, September 16, 1978. (Photo by Christian Rose/Roger Viollet via Getty Images)
Tech I went to the Kraftwerk auction to buy their chairs, but came back with a studio's worth of gear instead
Bon Jovi
Artists “When I brought up the talk box, everybody in the band laughed at me”: How Bon Jovi created their signature rock anthem
Robin Scott Pop Muzik
Artists We catch up with the man who rewired the charts in 1979 - and is now blowing up on TikTok - with Pop Muzik
Ableton Move
Tech One year on, I’ve finally clicked with Ableton Move – all because I’ve stopped trying to make music with it
ELMONT, NEW YORK - SEPTEMBER 07: Sombr performs during the 2025 MTV Video Music Awards at UBS Arena on September 07, 2025 in Elmont, New York. (Photo by Arturo Holmes/Getty Images for MTV)
Artists “In the actual song you hear today, the guitars, the riff, the bass, the drums and all the vocals are from those initial takes I did in my bedroom”: Sombr on the making of viral hit Undressed, and his formula for creating "a legendary indie rock song"
Davey Johnstone and Elton John are back-to-back as they perform live, with Johnstone playing his Captain Fantastic Les Paul Custom
Artists Davey Johnstone on the making of Elton John’s 1975 masterpiece, Captain Fantastic And The Brown Dirt Cowboy
Steve Porcaro
Artists Steve Porcaro on the rise, fall and resurgence of Toto, working with Michael Jackson and his new solo album
Bass
Music Production Tutorials 37 heavyweight bass production tips
More
  • "The most expensive bit of drumming in history”
  • JoBo x Fuchs
  • Radiohead Daydreaming
  • Vanilla Fudge
  • 95k+ free music samples
  1. Artists

Andy Grammer's 7 tour survival tips

News
By Joe Bosso published 6 August 2014

"Life on the road is an alternate reality – but you can master it"

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Andy Grammer's 7 tour survival tips

Andy Grammer's 7 tour survival tips

Three years ago, Los Angeles-based singer-songwriter Andy Grammer's touring itinerary could be written on a Post-It note, with most of his gigs taking place on the Third Street Promenade in Santa Monica, California. "I had the busker thing down," he says. "I knew my spot, I knew the best time of day to hit it, and if I was lucky, I could make money. Street performing wasn't as bad as some people make it out to be."

These days, Grammer has a lot more choices over the kinds of venues he plays. The success of his 2011 self-titled debut album, buoyed by resistance-is-futile pop hits such as Fine By Me and Keep Your Head Up, bumped him up from street corners to clubs and festivals nationwide; subsequent tours with the likes of Train, Colbie Caillat and Natasha Bedingfield even gave him a stamp or two on his passport. "Seeing what kinds of songs work in other cities and other parts of the world was pretty eye-opening," Grammer says. "I know it changed how I approached the second record big-time."

That would be his just-released Magazines Or Novels, a grander, denser, more introspective but no less engaging construct than its predecessor. But whereas Grammer's breezy melodies once tended to interlock with briskly strummed guitars, more and more they work off subtle hip-hop beats and artfully employed electronics. "That's no accident," he observes. "The first album was more born from busking – they were the 'me-and-my-guitar' songs. Going out on the road and opening for big acts changes you. You look out at those audiences and start to think, ‘OK, I need to write some music that’s a little bit bigger.’ So maybe you don't start with the acoustic guitar; you might start out with a beat instead."

The bevy of revved-up hooks throughout Magazines Or Novel's 12 tracks would indicate that Grammer's newfound mindset has paid off. Whether he's flirting with modern country (Honey, I'm Good), evoking vintage R&B (Forever) or pumping out a heart-on-his-sleeve pop anthem (Back Home), he hits his marks with uncanny precision. Grammer is currently playing a series of album release dates, but come September he'll be on the road with American Authors, with gigs stretching from Portland, Maine to Auckland, New Zealand.

Asked whether he would ever entertain the thought of opening up his guitar case on some street corner and knocking out an impromptu show for old times' sake, Grammer laughs and says, "You know, I’m not opposed to it at all. I do radio gigs, three-minute spots, solo shows, so I still get plenty of practice at the sniper attack – me at a piano or with a guitar, having win people over fast. When I get back with band, the lights and the whole production, that's me with the full artillery. A quick radio performance keeps me sharp for the big show.”

You can purchase the new album, Magazines Or Novels, at iTunes. On the following pages, Grammer runs down his 7 Tour Survival Tips.

Page 1 of 8
Page 1 of 8
Avoid back seat pockets on planes

Avoid back seat pockets on planes

“Seriously, never, ever, ever put anything in the back seat pocket on a plane. There’s at least a 50/50 chance you’ll forget whatever it was you put in there. Rest in peace my last iPad mini.

“Maybe normal people can use back seat pockets on planes and not have any problems. With me, I’ll do a show, get on a bus and then take a red eye flight to get somewhere else, and I’m like a zombie. I just don’t remember anything. On tour, we all have a saying: ‘If you put it in the pocket of the seat in front of you, you basically don’t care about it.’”

Page 2 of 8
Page 2 of 8
A Mophie charger is a must

A Mophie charger is a must

“It's a little bulky, but it gives you an extra full charge on your iPhone. That’s a big deal.

“Like right now, I’ve been going nuts on social media all day, and my battery is still at 100 percent. That extra charge becomes clutch when you don't know where you're sleeping or when you'll get there. Power up that added juice and get the most out of your phone.”

Page 3 of 8
Page 3 of 8
La Croix

La Croix

“And a whole hell of a lot of it. La Croix is a soda water with just a little hint of flavor. I pound back something like six to 10 bottles a day as opposed to six to 10 bottles of soda. I love the stuff.

“When I’m on tour, I tend to nervously drink whatever's around – Red Bull, Coke, you name it. But that stuff gets you all sugared up and wired. La Croix is a little, little bit of a treat, but it doesn’t make you feel weird and heavy.”

Page 4 of 8
Page 4 of 8
Always have an auxillary cable in your backpack

Always have an auxillary cable in your backpack

“The kind of cable that goes from your iPhone and plugs into the stereo of your car – you've gotta have that.

“You never know when you’ll be out on a long drive, but trust me, if you're promoting a song to radio, you will be on some mighty long-ass car journeys. An auxillary cable can turn a boring six-hour haul into a damn good time if you can listen to Spotify in your vehicle."

Page 5 of 8
Page 5 of 8
For guys - one pair of all-purpose badass boots

For guys - one pair of all-purpose badass boots

“If you have to take just one pair of footwear out there with you, make it count. With cool boots, you get functionality and looks.

“The pair I’m wearing right now is Steve Madden – I think they cost about two hundred bucks. Not cheap, but they work for practically all occasions. Shoes take up a lot of space in the bag – you’d be surprised at how much real estate they demand. Spend a little more on a nice pair of boots and rock them hard the whole tour. Easy. Done.

"And for girls: This isn’t a tip or anything, just an observation of amazement. How do you do it, girls? How is this possible?

“I have no idea how you all still look so fresh and pretty every night while on the road when us guys look so rough and worn down. You are clearly the superior sex. I tip my hat to you."

Page 6 of 8
Page 6 of 8
Tour bus etiquette: number two is a no-no

Tour bus etiquette: number two is a no-no

“Just don’t do it – ever. I’ve never been guilty of it myself, but you get this message pounded into you the minute you start your first tour.

“Buses don’t have great ventilation, and I’ve been told the smell lingers, man. Going number two on the tour bus is the quickest way to become an outcast on a tour. And everyone knows it was you. Wait till you get to a hotel or restaurant or venue – or wherever. Anywhere but on the bus. This should probably be tip number one – it's that important.”

Page 7 of 8
Page 7 of 8
Get in a touring state of mind

Get in a touring state of mind

“It took me one tour to realize that I can’t possible pack everything I’ll need for the entire trek. You just can't cram seven weeks’ worth of stuff into one bag with an allowance of 50 pounds on a plane. So don’t even try.

“Get OK with the fact that when you lock the door behind you, you’re saying, ‘I’m leaving with about 20 percent of what I'll need. I'll get the rest out there.’ Trust me, you will."

Page 8 of 8
Page 8 of 8
Joe Bosso
Joe Bosso

Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.

Read more
alex g
"No piece of gear was more important": Alex G on the rare vintage compressor that shaped the sound of Headlights
 
 
Andy Summers of The Police performs at Oakland Coliseum on June 13, 2007 in Oakland, California
“Every culture has accessed it and made something of their own of it”: Andy Summers to front new docu-series about the guitar
 
 
Justin Hawkins
“He wanted it to sound tinny, so he literally put the mic in a tin”: When The Darkness teamed up with Queen’s producer
 
 
Davey Johnstone and Elton John are back-to-back as they perform live, with Johnstone playing his Captain Fantastic Les Paul Custom
Davey Johnstone on the making of Elton John’s 1975 masterpiece, Captain Fantastic And The Brown Dirt Cowboy
 
 
Coldplay Music of the Spheres tour
Coldplay’s live engineers reveal the lengths they go to to record every show on the band’s Music of the Spheres tour
 
 
Semtek aka DJ Persuasion
7 great house and techno tips from Don’t Be Afraid label boss Semtek (aka DJ Persuasion)
 
 
Latest in Artists
Eric Clapton and Sheryl Crow perform at Eric Clapton's Crossroads Guitar Festival 2007 held at Toyota Park on July 28, 2007 in Bridgeview, Illinois.
"They put it on hold so nobody else can record it. But he didn’t actually record it. That was when Don Henley said, ‘You need to quit giving your songs away’”: Sheryl Crow says that she once wrote a song for Eric Clapton that never saw the light of day
 
 
Steve Cropper in 2007
“My mom said, ‘I’ll lend you a quarter if you become a guitar player.’ I think I did!”: Steve Cropper dies aged 84
 
 
Adrian Belew with the Fender Stratocaster that he and Seymour Duncan relic'd in the back garden
Adrian Belew on how he and Seymour Duncan made one of the first relic’d guitars
 
 
teed
How TEED went back to basics with a bedroom set-up and a borrowed synth for third album Always With Me
 
 
Josh Freese
“People said, ‘Hey, I saw you’re on that Avril Lavigne record.’ I went, ‘Nah!'”: The drummer who’s played on 400 albums
 
 
Flea of the Red Hot Chili Peppers performs during a concert at Federation Square on April 11, 2007 in Melbourne, Australia
Flea teases his first solo album with a seven minute jazz rave single
 
 
Latest in News
Dirty Boy SilverBOY: This high-end all-analogue preamp pedal was inspired by a digital plugin
Dirty Boy turns the tables on guitar’s digital revolution with an all-analogue preamp pedal inspired by a plugin
 
 
tape double track
This $99 plugin recreates a classic studio technique invented at Abbey Road for The Beatles – and it's free for the next three days
 
 
oxi
"We didn't want to make just another controller": OXI Instruments' E16 is a sleek and portable MIDI controller that's more powerful than it looks
 
 
Serato and AlphaTheta launch Slab for Serato Studio
AlphaTheta and Serato launch Slab, the first hardware controller for Serato Studio
 
 
EVH Gear Hypersonic 5150III 6L6: The new all-digital modelling combo offers the same stylings and super-hot tone as its all-tube predecessor but is 16kg lighter
EVH Gear turns “holy grail” Eddie Van Halen amp Hypersonic with super-lightweight 5150III 6L6 digital modelling combo
 
 
The Electro-Harmonix ABRAMS100 is a compact, guitar amp head with 100-watts, 3-band EQ, effects loop and bright switch, and it has a yellow control panel and black dials.
Electro-Harmonix presents 100-watts of solid-state power in a compact guitar amp head weighing just 2.5lbs
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...