AmpliTube 4 for iOS promises desktop-quality sound
New Cab Room and Looper features also offered
Having teased it earlier this month, IK Multimedia has released AmpliTube 4 for iOS.
This is said to contain the same DSP as the desktop version of AmpliTube 3, which should theoretically result in the same quality of sound. There's also the new Cab Room (a $9.99 in-app purchase), which enables you mic-up cabinets in 3D using two microphones, and 16 new mic models are available for purchase ($9.99 for the lot or $0.99 each).
On a more creative tip, there's now a 4-slot Looper ($9.99 as in-app purchase), which could be useful for getting ideas together quickly, and you can now use up to six stompboxes in your rig. These can be positioned via drag 'n' drop.
AmpliTube 4 is available now from the Apple App Store priced at £14.99/$19.99 (existing users will be upgraded for free), while you can buy all the new features in a bundle for $19.99.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard