Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Seven Nation Army
  • Avril Lavigne
  • Prince and The Beatles
  • 95k+ free music samples
Don't miss these
Orbit Culture's guitarists
Electric Guitars Orbit Culture show us their ESP guitars – and tell us why the EverTune bridge is a game-changer
Greg Mackintosh of Paradise Lost plays his custom 7-string V live onstage with red and white stagelights behind him.
Artists Greg Mackintosh on the secrets behind the Paradise Lost sound and why he is still trying to learn Trouble’s tone tricks
Korn's Brian 'Head' Welch and James 'Munky' Shaffer show off their new Ibanez signature 7-strings
Artists Korn’s Head and Munky unveil new Ibanez 7-strings – and explain how it all comes back to Steve Vai
Paul Gilbert
Recording Four big-name guitarists spill their recording secrets
Jackson Pro Series Cory Beaulieu King V: refreshed with quilt maple top, signature Seymour Duncany pickups and offered in six and seven-string versions – both with a Floyd Rose vibrato.
Artists Jackson and Corey Beaulieu ante up with the Trivium guitarist's new Seymour Duncan-loaded next-gen King V
Zach Myers of Shinedown plays a hunter green PRS NF53 live onstage at Download Festival 2025.
Artists Zach Myers on Shinedown’s secret weapon, the limits of shred guitar, and getting schooled by BB King
A still from KHDK's Instagram reel with the logo emblazoned over one of the stompbox company's new and as-yet-unannounced and unreleased electric guitar designs.
Guitars KHDK Electronics makes pedals for metal's biggest stars; now it's going to make electric guitars too
Wolfgang Van Halen
Artists “Usually I’ve done the demos on my laptop, which can be a bit creatively stifling”: Wolfgang Van Halen on his new album
Jackson Pro Origins 1985 San Dimas: these retro S-styles take the high-performance electric guitar brand back to the '80s, offering single and dual-humbucker platforms for shred with the choice of rosewood or maple fingerboards – and what about that "Two-Face" black-and-white finish?
Guitars “These guitars empower metal artists with the authentic, crushing tone that built Jackson’s legendary reputation”: Jackson takes us back to the heyday of shred with the Pro Origins 1985 San Dimas series – and what about that Two Face finish?
Eloy Casagrande in Slipknot
Drummers Slipknot’s Eloy Casagrande reveals the secret lessons he gave his Sepultura replacement
Debbie Gough of Heriot demoes the new Jackson Pro Plus Metal Phase II Warrior on a darkened studio set.
Guitars Jackson adds Warrior, King V and Concert Bass to its limited edition Pro Plus Pure Metal range
Alter Bridge record in 5150 Studios, the studio that the late Eddie Van Halen built, courtesy of an invite from his son and friend of the band Wolfgang Van Halen
Artists Alter Bridge’s Myles Kennedy and Mark Tremonti on recording at the studio that Eddie Van Halen built
Steve Morse plays live with Deep Purple and takes a solo on on his signature Ernie Ball Music Man, with the band's logo visible in the background
Artists Steve Morse on the time he took power tools to his guitar so he could play a Deep Purple show with a broken wrist
Wolfgang Van Halen
Artists “Sometimes it sounds like Liam thinks he’s in The Beatles, too!”: Wolfgang Van Halen talks Oasis and killer guitar tones
Jackson American Series Rhoads: the Rhoads is now officially being made in the USA again, and is offered with a choice of a hardtail or Floyd Rose, with the hardtail finished in Satin Black and Snow White, and the Floyd in Satin Black, Matte Army Drab and Snow White. Note the reverse headstock.
Guitars All Rhoads lead to California as Jackson brings one of its most-iconic metal guitars home for a high-end upgrade
  1. Artists
  2. Guitarists

Adam D and Joel Stroetzel: how Killswitch Engage evolved to create Incarnate

News
By Adam Rees ( Total Guitar ) published 16 June 2016

Guitarists talk moving beyond metal

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Introduction

Introduction

Killswitch Engage’s Incarnate may be their darkest and most diverse yet, but it belies Adam Dutkiewicz and Joel Stroetzel’s relaxed state of mind…

Though seemingly an odd fit, the guitarist's yin and yang epitomises the band and their music

Anyone who has seen Massachusetts metalcore pioneers Killswitch Engage at their blistering, live best, will no doubt have noted the differences between their guitarists, Joel Stroetzel and Adam Dutkiewicz.

While the former takes on a background role, professionally and passionately churning out the melodic death metal-riffs and hardcore chug, the latter has long since adopted the role of clown prince since moving from behind the drum kit.

Though seemingly an odd fit, it’s just one example of the yin and yang that epitomises the band and their music, which continues to evolve from its sturdy foundations.

Don't Miss

Killswitch Engage's 8 tips on mastering metalcore

Metal bass head to head: Trivium and Killswitch Engage

Killswitch Engage's Justin Foley: my top 5 tips for drummers

Page 1 of 6
Page 1 of 6
Don't go soft

Don't go soft

We find the pair on a confident footing when discussing the familiar if slightly protracted creative process of seventh album, Incarnate.

Though it’s still packed with the colossal, life-affirming numbers KSE have made their trademark, it’s a more complex and challenging listen than anything they’ve previously put their name to.

A lot of the songs are Adam’s and Justin’s, which is neat as there’s a different vibe

The hallmark positivity of Killswitch’s most formidable moments has always been born from places of melancholy and tribulation, but the darkness that permeates both Incarnate’s music and lyrics is notable. The question is, where did it come from?

“We did the usual where everyone writes separately and then everyone comes together to write. But it came out naturally,” assures Adam, dispelling any suggestion that there was an agenda revolutionaise their creative process, but acknowledging Killswitch’s desire to avoid repeating themselves.

“A lot of the songs are Adam’s and Justin’s, which is neat as there’s a different vibe,” adds Joel, offering his own take on the direction of Incarnate. “We were all thrashed out from the last one so it was a way of doing something a little different without getting too soft.”

Page 2 of 6
Page 2 of 6
Struggle within

Struggle within

It’s a testament to Killswitch’s creativity and desire to continually push themselves, given the success and adulation they’ve garnered since forming at the turn of the century.

After all, 2016 sees the band comfortable with their position in the metal hierarchy, firmly established and with a devoted following, but ultimately strong and settled as a unit following the unexpected departure of Howard Jones and return of original vocalist Jesse Leach for 2013’s Disarm The Descent.

You never want to rush a lyricist. If the lyrics aren’t heartfelt the listener can hear that

Indeed their calm circumstances meant there was no pressure to rush the writing process, so that when Jesse struggled to write lyrics for the music he was presented with, even Adam, who doubles as producer and has a lengthy CV that boasts guidance for everyone from A Day To Remember and Underoath to Parkway Drive and Unearth, was more than happy to give his restored friend the time he needed.

“Everyone was a little more comfortable after having Jesse back, and there were no crazy deadlines so we could take our time with it,” says Joel. “Jesse spent a lot of time writing and demoing things with Adam and I think it worked out better that they had that time to experiment. I know Jesse’s really proud of this one.”

“You never want to rush a lyricist. If the lyrics aren’t heartfelt the listener can hear that,” Adam explains. “If there was a time where he wasn’t feeling it I told him to take a break and come back to it. We had a few issues where we had to stop for a while where we had some tours in between. It came out a little bit later than expected, but he’s happy with it and that’s the most important thing. I think he did a great job.”

Page 3 of 6
Page 3 of 6
Hidden depths

Hidden depths

While Jesse might have needed to overcome writer’s block, that problem didn’t hinder Adam - he not only wrote extensively for Incarnate, but has also got upcoming albums with he and Jesse’s moodier side project, Times Of Grace, as well as an as-yet-untitled death metal project with Cannibal Corpse bellower George ‘Corpsegrinder’ Fisher and ex-The Black Dahlia Murder sticksman Shannon Lucas.

I just figured I could always write more songs for Times Of Grace later. I started sharing!

Adam’s range of material ending up aiding Incarnate’s variation and bringing new approaches to Killswitch; It Falls On Me and We Carry On find the band exploring brooding mid-paced dynamics punctured with swathes of post rock-esque delayed tremolo picking.

“We actually ended up taking some of the songs that were written for Times Of Grace,” Adam explains of these new elements. “I showed the guys. They thought it could work for Killswitch, and they asked if they could try them instead. Those are the songs on the album that are a bit darker, slower and sludgier, but I just figured I could always write more songs for Times Of Grace later. I started sharing! [laughs]”

Joel also reflects that while the band’s fundamental sound is carved in stone, the new musical ingredients are representative of five band members in their mid-to-late 30s with broad musical palettes and a desire to keep their sound fresh and honest.

“It’s unconscious. We listen to a lot of different music, from ambient stuff, to rock with shoegaze-y guitar parts. So it’s nice to experiment with that over metal and you can hear a lot more of that on this record.”

Page 4 of 6
Page 4 of 6
Give the drummer some

Give the drummer some

The humble, amenable Joel is also altruistic when describing his own contribution to Incarnate, admitting that while he brought a host of riffs and partially completed song ideas to the table, the writing process is truly a collective experience, with each musician helping to fill in the gaps in the songs.

I like Cut Me Loose. It’s sludgey and melodic and has an Alice In Chains vibe to it

However, he’s keen to deflect attention from his own efforts to heap praise on his bandmates. He commends Adam for holding himself to the same standards as everyone else, though admitting nerves while laying down backing vocals for the first time on record with his fellow guitarist, “Staring at you saying ‘Do it again!’” He also picks drummer Justin Foley out for special praise.

“I’m really happy that Justin’s written a lot of songs for this record. His songs really stand out and make it a lot more diverse than the last one,” he says. “I like Cut Me Loose. It’s sludgey and melodic and has an Alice In Chains vibe to it. I’m looking forward to playing it live but I’m trying to wrap my head around it as it has an odd timing.”

“Obviously Joel and I will write all these crazy metal riffs, and as Justin’s a drummer he’s limited to writing things that are a bit more basic,” adds Adam. “The things he wrote are a bit easier to listen to, with a bit more of a rock ’n’ roll feel.”

Page 5 of 6
Page 5 of 6
Hybrid moments

Hybrid moments

Though there are indeed the kind of immediately accessible moments on the album that the band have made their forte, whether it’s Strength Of The Mind’s assertive chorus or the sharpened hooks of Quiet Distress that instantly take hold and refuse to let go, Incarnate as a whole is an album with more textures and depths awaiting to be patiently explored than your run-of-the-mill metalcore effort.

Ultimately we just want to be true to what we like and what we want to hear

I’s yet another triumph for a band whose collective desire is to keep pushing themselves creatively onward and ensure their well-trodden style sounds as vital and fresh as it did when it was first unleashed from the New England suburbs a decade and a half ago.

As Joel concludes, the process of writing songs that the band are proud of and wager to play live that is of paramount importance. That hundreds of thousands of fans across the globe appreciate what they do is simply a bonus.

“Ultimately we just want to be true to what we like and what we want to hear, and let the stuff we listen to influence us in a positive way. I think it’s important to evolve and be honest with yourself with what you’re writing at the time. Hopefully other people like it, and it’s so far so good for us, 16 years in.”

Killswitch Engage’s new album, Incarnate is out now via Roadrunner Records.

Don't Miss

Killswitch Engage's 8 tips on mastering metalcore

Metal bass head to head: Trivium and Killswitch Engage

Killswitch Engage's Justin Foley: my top 5 tips for drummers

Page 6 of 6
Page 6 of 6
Categories
Guitars
Adam Rees
Stay up to date with the latest gear and tuition. image
Stay up to date with the latest gear and tuition.
Subscribe and save today!
More Info
Read more
Orbit Culture's guitarists
Orbit Culture show us their ESP guitars – and tell us why the EverTune bridge is a game-changer
 
 
Greg Mackintosh of Paradise Lost plays his custom 7-string V live onstage with red and white stagelights behind him.
Greg Mackintosh on the secrets behind the Paradise Lost sound and why he is still trying to learn Trouble’s tone tricks
 
 
Korn's Brian 'Head' Welch and James 'Munky' Shaffer show off their new Ibanez signature 7-strings
Korn’s Head and Munky unveil new Ibanez 7-strings – and explain how it all comes back to Steve Vai
 
 
Paul Gilbert
Four big-name guitarists spill their recording secrets
 
 
Jackson Pro Series Cory Beaulieu King V: refreshed with quilt maple top, signature Seymour Duncany pickups and offered in six and seven-string versions – both with a Floyd Rose vibrato.
Jackson and Corey Beaulieu ante up with the Trivium guitarist's new Seymour Duncan-loaded next-gen King V
 
 
Zach Myers of Shinedown plays a hunter green PRS NF53 live onstage at Download Festival 2025.
Zach Myers on Shinedown’s secret weapon, the limits of shred guitar, and getting schooled by BB King
 
 
Latest in Guitarists
Wolfgang Van Halen
“My dad would say the best solos are the ones you can hum and sing”: Wolfgang Van Halen on the art of soloing
 
 
Blues phenom Christone "Kingfish" Ingram with his new signature Fender Telecaster Deluxe in Daphne Blue
Christone “Kingfish” Ingram on how the Telecaster won him over – and his new Delta Day signature Tele Deluxe
 
 
Gibson Custom Kirk Hammett Raven: the Metallica lead guitarist's new signature acoustic is a Halloween-friendly take on the Hummingbird that's limited to 100 units worldwide.
Enter, the Raven: Kirk Hammett’s Custom Shop Gibson acoustic dresses up the Hummingbird for Halloween
 
 
Steve Morse plays live with Deep Purple and takes a solo on on his signature Ernie Ball Music Man, with the band's logo visible in the background
Steve Morse on the time he took power tools to his guitar so he could play a Deep Purple show with a broken wrist
 
 
Wolfgang Van Halen
“Sometimes it sounds like Liam thinks he’s in The Beatles, too!”: Wolfgang Van Halen talks Oasis and killer guitar tones
 
 
A composite image of Vernon Reid and D'Angelo. Reid [right] cups his fingers to his ear as he performs with his PRS signature model. D'Angelo holds both hands on his mic stand and wears a black sleeveless T and black headband.
Vernon Reid on D’Angelo’s everlasting influence and the deep roots of the late neo-soul trailblazer's sound
 
 
Latest in News
Floyd in 1987
“I said, ‘Oh, man, we’re gonna kick some ass on a Pink Floyd record!’": The drummer who substituted for Nick Mason
 
 
Eventide Temperance Lite
Eventide’s Temperance Lite is new modal reverb plugin that lets you tune your reverb tails – and it’s free until December 31
 
 
Jackson Pro Series Cory Beaulieu King V: refreshed with quilt maple top, signature Seymour Duncany pickups and offered in six and seven-string versions – both with a Floyd Rose vibrato.
Jackson and Corey Beaulieu ante up with the Trivium guitarist's new Seymour Duncan-loaded next-gen King V
 
 
CULVER CITY, CALIFORNIA - JANUARY 18: (EXCLUSIVE COVERAGE) John Williams and Steven Spielberg seen at John Williams Music Building Dedication at Sony Pictures Studios on January 18, 2024 in Culver City, California. (Photo by Eric Charbonneau/Getty Images for Sony Pictures)
John Williams to come out of retirement to work on Spielberg’s next movie
 
 
bon iver
“I didn’t write any of these chords or anything – this just came straight from a sample”: Bon Iver and Jim-E Stack break down the making of Day One
 
 
Chappell Roan and Cyndi Lauper
Chappell Roan to induct Cyndi Lauper into the Rock N’ Roll Hall of Fame in November
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...