5 great blues-rock fuzz pedals
Our favourite recent fuzzes
MXR CSP203 La Machine £139
With The Black Keys and Jack White currently dominating the charts and festival stages worldwide, it seems blues-rock is firmly back on the mainstream agenda. In honour of Total Guitar's Dan Auerbach vs Jack White standoff, we've rounded up five recent fuzz pedals that are perfect for nailing hard-hitting riffs and solos.
MXR CSP203 La Machine £139
This all-powerful octave fuzz delivers a thick, mid-scooped dose of high-gain dirt, before adding searing lead tones into the mix with the octave-up switch – ideal for QOTSA-style licks and Hendrix-y solos
Bigfoot Electronics King Fuzz £129
With dirt tones inspired by none other than Dan Auerbach, the King Fuzz certainly delivers the blues-rock tonal goods – its touch sensitivity and response to changes in pickups and guitars is truly impressive, and delivers more sounds than you'd expect from a two-knob pedal
Z.Vex Fuzzolo £99
This teeny silicon fuzz boasts a massive amount of midrange for cutting through a live mix, plus the all-important Pulse Width control, which allows you dial in gated fuzz textures and arcade-style bleeps and bloops
Electro-Harmonix Nano Big Muff Pi £49
We couldn't do a fuzz round-up without the Big Muff! The ubiquitous dirt box – in name and tonal character – has long graced the 'board of a certain Mr Jack White, and this Nano incarnation captures the Muff's supreme sustain and crushing fuzz tones at an awfully tempting price
Vox Tone Garage Trike Fuzz £131
Ignore the name; the Trike Fuzz is one serious dirt pedal, with pure analogue octave effects built in, from one octave up to two octaves down. That means fat textures for riffs and gnarly tracking for glitchy solos
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
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“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard