10 questions for Blues Pills' Dorian Sorriaux
First guitars, priceless gear and onstage nightmares
With second album Lady In Gold, Blues Pills don't just have the blues; they have soul.
Across the record's 10 tracks, Elin Larsson's smouldering vocal licks are only matched by guitarist Dorian Sorriaux's fuzz-laden take on Kossoffian six-string flair, all slick pentatonic riffs, wide vibrato and wailing solos.
Before the four-piece head out on a huge European tour, we got Dorian's thoughts on vibe-y electric finds and flooded festival stages…
1. What was your first guitar and when did you get it?
"My first guitar was a classical guitar. I was nine, and I got it at a flea market in 2004 - people selling their stuff out on the street, it's really quite common in France on a Sunday. My mum bought it for me."
2. The building's burning down - what one guitar do you save?
"If the building was burning down, I don't think I'd be thinking guitars, haha, I'd probably think of saving myself and other people! But if everybody's out and I have five minutes to grab a guitar, I like my Les Paul that I play on stage and my SG, too, made in the 1970s that I bought from Australia. And a couple of old acoustic guitars - I'd try and grab as many guitars in my hands and run away!"
3. Is there a guitar, or piece of gear, that you regret letting go?
"Not really that I can remember - if I buy stuff, I have a hard time to sell it because there's a reason why I bought it. I almost sold my Chicago Iron Octavia fuzz pedal - I bought it at the beginning of Blues Pills, but did not use it up until the recording of the first album, when I realised that it's a really nice-sounding fuzz. We used it on this record a lot as well as live; going without that fuzz would be very difficult, actually. I didn't let it go but I almost actually sold it!"
4. And what's the next piece of gear you'd like to acquire?
"There's always things like recording equipment, like a small tape machine, but as far as guitars go, a 1965 Firebird - those are nice, and a '60s SG with the P-90s, because it's a good guitar. I'm always looking for those old Gibsons - not a '59 SG that costs the price of a house; something that's still old and has a vibe, but for a price that means it doesn't have to be in a museum, where you can play it on stage and be happy.
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5. Is there an aspect of guitar playing that you'd like to be better at?
"Yep, I'm always trying to get better! I suppose, fingerpicking - acoustic fingerpicking. I'm always trying to get better, but I guess with live it's always electric guitar - so I guess I don't want to play so much faster than I do, but more play something I actually want to listen to. I do like acoustic guitar and fingerpick amongst other stuff; it's always nice and possible to improve!"
6. When did you last practise and what did you play?
"This morning, when we played three songs for Vintage TV in London, we played two songs from the new album Lady In Gold and an old song, but I see every time I play an instrument as being practice. It might be in the studio recording a take, in my room before I go to bed, or in front of an audience or not. So the last time was this morning and it was nice. There's no one song I practise; it's more I make sure I feel comfortable on stage than worrying about playing something really technical, making sure my whole body is comfortable before I go on stage."
7. If you could have a guitar lesson from one guitarist, dead or alive, who would it be?
"There are so many! But it probably has to be Peter Green…"
8. What item of gear would you take with you to a desert island?
"An acoustic guitar - a nice one If I'm going to be on a desert island!"
9. What's the worst thing that's ever happened to you onstage?
"It was a few weeks ago, well about a month ago now, it was Bråvalla Festival in Norrköping, Sweden. It's a really nice festival, but we were really unlucky because the rain got really crazy. In a matter of five minutes, the whole stage was flooded and all of my equipment was underwater - just seeing my pedalboard, amps, and guitars underwater, no-one really reacted on time, as it was a matter of two seconds so there was no one to blame. Luckily most of the instruments were completely fine."
10. What advice would you give your younger self about playing the guitar?
"Keep on doing what you're doing; that's all that comes to mind. I don't feel so old compared to my younger self… maybe I could answer that question properly in 50 years!"
Lady In Gold is out now via Nuclear Blast. Blues Pills tour the UK and Ireland in November - full dates are below.
01.11.2016 UK - Wolverhampton, Slade Rooms
02.11.2016 UK - Glasgow, Classic Grand
04.11.2016 IR - Dublin, Voodoo Lounge
05.11.2016 UK - Manchester, Club Academy
06.11.2016 UK - London, Koko
08.11.2016 UK - Bristol, Marble Factory
Don't Miss
Dorian Sorriaux talks joining Blues Pills and channeling Kossoff
In the studio: Blues Pills' Dorian Sorriaux talks Lady In Gold
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Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“There’s three of us playing guitar in Foo Fighters… A lot of tone details can get lost, which is what drew me to the Cleaver – that P-90 cut”: Chris Shiflett on how he found his weapon of choice with his Fender Cleaver Telecaster Deluxe
“Notes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects”: Keeley Electronics and Andy Timmons unveil the Halo Core – same modulated dual echo magic, simplified controls