10 questions for Balance And Composure's Erik Petersen
First guitars and onstage nightmares
Pennsylvania's Balance And Composure are perhaps the quintessential contemporary alt-rock band.
Listening to third album, Light We Made, is like taking a walk through the annals of rock history - there are echoes of Robert Smith-esque guitar textures, grunge and slacker-pop's fearless six-string approach, and emotional weight heavy enough to recall the finest of '00s post-hardcore.
Guitarists Erik Petersen and Andy Slaymaker shape the band's lush sonic template, and here, Erik reflects on his inescapable love of reverb and unfortunate toilet paper-based stage shows…
1. What was your first guitar and when did you get it?
"My first guitar was a Fender Duo-Sonic given to me by my father, who had played guitar his entire life: Fire Red with a white pickguard. Short scale, so my hands could play it easier. At the time, I probably wanted a guitar that smoothed out more when it was gained up, but now that I'm older, I can appreciate how nice of an instrument that was."
2. The building's burning down - what one guitar do you save?
"Right now, my standard American Strat. It is my baby. Plays like a vat of Country Crock."
3. What's the one effects pedal you couldn't do without?
"'verb. All day, every day."
4. Is there a guitar, or piece of gear, that you regret letting go?
"Not really. I usually hold on to my things way too long. I'm a big sentimental in that respect. I like accumulating things and knowing I always have them. I have not sold many instruments or pieces of gear. My first head was a JCM900, and I sold that a few years back because I upgraded and had no need for it. So maybe that by default."
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5. When did you last practise and what did you play?
"Last night, and the Standard Strat through my AC30 pushed through an Orange 4x12. Love how the AC sounds through a beefier speaker."
6. Is there an aspect of guitar playing that you'd like to be better at?
"All aspects. Always want to get better. I would like to know a jazz scales a little more extensively. They aren't programmed into my brain as second nature yet. I've been starting to experiment with them a little more. I guess as I get older I appreciate the dissonance of the playing within the genre."
7. If you could have a guitar lesson from one guitarist, dead or alive, who would it be?
"Jonny Greenwood. Pick his brain for a few hours."
8. What item of gear would you take with you to a desert island?
"Strat and the 'verb pedal."
9. What's the worst thing that's ever happened to you onstage?
"It's always a pain in the ass when your gear cuts out due to a stupid thing. Like a connector cable pops out and you can't detect and it takes like five minutes to figure it out. Very embarrassing and it's a stressful period of time. Also, unrelated, one time I walked on stage with toilet paper connected to my shirt, and as I walked across stage to set up, it flowed off my back like a nice long white tail. That's about as specific as I would like to be, haha."
10. What advice would you give your younger self about playing the guitar?
"Take lessons, learn fundamentals. Teaching yourself is admirable, but I regret not learning a solid foundation of the instrument in my younger years. Now I'm actively trying to do that. Backwards logic, haha!"
Light We Made is out on 4 November via Big Scary Monsters.
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
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