Gary Holt finds “the tone I’ve been searching for for 20 years” with KHDK’s Paranormal parametric EQ
Kirk Hammett’s pedal co joins forces with Slayer’s lead guitarist
Kirk Hammett-owned pedal company KHDK Electronics has announced its latest stompbox, the Gary Holt Parametric EQ.
Designed as an always-on EQ for use on Slayer’s final tour, the Paranormal offers control over mids, frequency and bandwidth for dialling in the sweet spot on guitar amps.
As Holt puts it, “When you hear what this pedal does to a stock Marshall head, you’re gonna shit your pants.” Blimey.
The Exodus axeman goes on to say, “This is the tone I've been searching for for over 20 years.” High praise indeed.
If you have a clean pair of underwear to hand, the Paranormal is available now, priced at $249/£195, with a limited run of 250 units.
See KHDK Electronics for more info.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard