Four Tet takes Domino Recordings to court over streaming royalties
The producer claims that the label has breached the contract they signed surrounding the release of the classic albums Rounds, Pause and Everything Ecstatic
Kieran Hebden, better known under the stage name Four Tet, is taking legal action against his former label, Domino Recordings.
Hebden is claiming that the royalty rates Domino are paying on a number of albums and EPs released in the early '00s are in breach of contract. The contract, which was signed in 2001, states that the producer is owed a royalty rate of 18% on sales of vinyl, cassettes and CDs. Since the advent of streaming services, Domino have been applying this rate to streaming and downloads, which are not explicitly mentioned in the contract.
The case put forward by Hebden and his lawyers argues that Domino should pay an increased royalty rate for streaming and downloads of 50%. Hebden is seeking damages of up to £70,000 plus costs, in addition to a legal judgement on the royalty rate.
This landmark claim comes hot on the heels of the DCMS Committee's call for royalties to be split 50/50 between artists and labels. The decision made by the judge could have wider consequences for the music industry and set a precedent for future cases, which will no doubt follow.
Four Tet's most recent album, Parallel, was self-released through Text Records.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
“Michael Stipe said it was his favourite dance album – he used to put it on and then write his lyrics for REM to it”: Rave icons Utah Saints on their legacy, sampling Kate Bush, and the challenges of making their debut album
“They're French. I would say it's a kind of techno prog band”: Elvis Costello reckons that the Brooklyn warehouse gig he saw Justice play was “one of the great shows I've ever been to”
I'm MusicRadar's Tech Editor, working across everything from product news and gear-focused features to artist interviews and tech tutorials. I love electronic music and I'm perpetually fascinated by the tools we use to make it. When I'm not behind my laptop keyboard, you'll probably find me behind a MIDI keyboard, carefully crafting the beginnings of another project that I'll ultimately abandon to the creative graveyard that is my overstuffed hard drive.
“Michael Stipe said it was his favourite dance album – he used to put it on and then write his lyrics for REM to it”: Rave icons Utah Saints on their legacy, sampling Kate Bush, and the challenges of making their debut album
“They're French. I would say it's a kind of techno prog band”: Elvis Costello reckons that the Brooklyn warehouse gig he saw Justice play was “one of the great shows I've ever been to”