Fleetwood Mac, Santana, Whitesnake and Ozzy Osbourne producer Keith Olsen dies

(Image credit: Barry Brecheisen / Getty)

Multi-platinum record producer Keith Olsen has sadly passed away.

Olsen produced over 100 albums during his career, many at the legendary Sound City studio in Los Angeles that was the subject of a 2013 Dave Grohl-directed documentary.

Olsen worked on hugely successful albums including Whitesnake's 1987 and Slip Of The Tongue, Fleetwood Mac's self-titled, Pat Benatar's Crimes Of Passion, Rick Springfield's Working Class Dog, Foreigner's Double Vision, The Grateful Dead's Terrapin Station and Ozzy Osbourne's No Rest For The Wicked,

Olsen's cause of death has not yet been confirmed and although born in 1945, his exact age has not been revealed.

Keith Olsen...R.I.P. Dear Friend... pic.twitter.com/jJSr5ZFkLqMarch 9, 2020

My amazing and talented friend Keith Olsen has passed away. Such a gifted producer. And later on a wonderful guy. Ha, ha... he could be a bit of a pistol in the studio but that was part of his talent. Sticking to his guns when some whiny artist (me) would say, "I don’t think that works." He didn't produce all those hits for all those musicians for no reason. He had a golden ear and helped so many people reach their potential. I remember playing him my demos and he picked “Jessie’s Girl” out of a batch of 15 songs and said "This is a hit.” I doubted him and thought there were better songs in my demo reel. Proof right there of his gift. May God give your spirit the peace and joy and the rest it deserves. You were a star maker in so many ways. God bless your memory my friend. ♥️ Rick Springfield
A photo posted by @rickspringfield on Mar 9, 2020 at 5:50pm PDT

To an amazing musician, producer, and friend, a true Juke Box Hero...Keith Olsen RIPhttps://t.co/6pvQUcfsbtMarch 10, 2020

Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.

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