Exclusive: James Bay on guitar tones, his second album and why he’s so excited about his signature Epiphone ‘1966’ Century
In-depth video chat with the singer-songwriter
When we spoke to James Bay last year, he described himself as a guitar player first and foremost, and as the man single-handedly responsible for the relaunch of Epiphone’s long-forgotten Century model, we can think of no artist more deserving of a signature model.
We caught up with James at the launch of his Epiphone ‘1966’ Century to get the lowdown on the process of making the guitar, how the Century has shaped his playing and the tones he’s exploring for his much-anticipated second album…
MORE INFO: Epiphone unveils James Bay ‘1966’ Century signature guitar
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Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“It didn’t even represent what we were doing. Even the guitar solo has no business being in that song”: Gwen Stefani on the No Doubt song that “changed everything” after it became their biggest hit
"There was water dripping onto the gear and we got interrupted by a cave diver": How Mandy, Indiana recorded their debut album in caves, crypts and shopping malls