Epiphone unveils James Bay ‘1966’ Century signature guitar
Singer-songwriter lands limited-edition electric
When Epiphone revived the Century last year, it was undoubtedly due to the success of Brit singer-songwriter James Bay, who used the archtop to great effect on his Grammy-nominated debut album, Chaos And The Calm. Now, the guitarist has been rightly honoured with his own signature guitar.
Based on Bay’s own 1966 Century, the Ltd Ed James Bay ‘1966’ Century differs from Epi’s existing reissue courtesy of a Kinman Noiseless ‘Sweet Neck’ P-90 pickup, the same that features in Bay’s original.
Elsewhere, there’s a Gloss Cherry finish, ’60s-era rosewood bridge with brass wheels, Wilkinson machineheads, USA electronics, a ’60s era-inspired hardcase, plus a hand-signed Certificate of Authenticity and even a recreation of Bay’s own custom strap.
The cover illustration from Bay’s debut EP, The Dark Of The Morning, adorns the back of the headstock to boot.
The Ltd Ed James Bay ‘1966’ Century is available from July - we’ll have more from James soon, but for now, head over to Epiphone for more info.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“A commanding new effects pedal that merges aggressive octave fuzz with earth-shaking analogue synth tones”: Third Man Hardware joins forces with Eventide for the Knife Drop – featuring Jack White’s presets, it’s designed for “sonic chaos”
“Making that record was like pulling teeth!” Rock legends Rush remember the album that drove them half-mad