Everybody needs a bass… especially bassists, who need several, but for recording or the essential skills of rhythm and songwriting groove, a bass guitar is a wide purchase for all musicians. Short scale basses are even better news for guitar players, so when a reissued Newport model from Epiphone comes straight in at an affordable price-point, we're very interested. And the company also has an acoustic model based on its iconic J-200 guitar to debut too.
The Epiphone Newport Bass first debuted as an original model in 1961 and those Coronet-esque curves still hold up today. The 30.5-inch scale length and 'Medium C' neck profile make it a great bass to transition from electric guitar to as well.
Pickups here are a Bass Sidewinder in the neck and TB PRO in the bridge with master volume and tone controls alongside a blend knob that's a welcome touch for creating your own special balance between the pickup sounds.
Woods are a trusty combo of mahogany body and neck, with an Indian laurel fretboard on this reissue since rosewood is now a more premium option for Gibson (and indeed Fender) brands.
The back of the body also features a belly contour for comfort. The Epiphone Newport is available is Classic Cherry finish, alongside 'custom' California Coral, Sunset Yellow, and Pacific Blue.
Order from Sweetwater in the US for $379 and Andertons in the UK for £339. Thomann are also offering it for an even sweeter deal at £333.
Epiphone has also unveiled the El Capitan J-200 Studio Bass – the four-string take on the iconic J-200 flattop acoustic guitar.
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Another short scale bass, it's also 30.5-inch like the Newport with a 20-fret Indian laurel fretboard with solid Sitka spruce top and laminate mahogany back and sides.
It's electro too, featuring Fishman's ubiquitous but reliable Sonicore system that places a Volume and Tone control subtly inside the soundhole.
The Epiphone El Capitan J-200 Studio Bass is $699 at Sweetwater in the US and £639 at Andertons in the UK. Thomann are also offering it for £615.
Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.