Guitarist David Rhodes is a big Snapshot guy – the Line 6 variety. He's using its amp modeller and multi-effects Helix unit as the main source of his tones on the current Peter Gabriel tour, with two analogue favourites in the loop.
"There's a snapshot for each tune, then I have three or four on / offs within that," he explains to guitarguitar about his patches in a rare interview and rig tour video below. The longtime Peter Gabriel guitarist uses a variety of amp models on the Helix, including its JC-120, Deluxe and Matchless models. Leaning on cleaner amps to then drive with the Helix's virtual pedals.
"I've always been like that, even just using amps – I've always been a heavy pedal user," the player's player explains. In those days the Boss Vibrato VB-2W pedal was a mainstay – and it remains on his pedalboard today, alongside a Roger Mayer Voodoo Vibe. His Rivera Double Shaman is on the 'board but not getting much use on this tour.
The digital side of things is set up for songs using Line 6's Snapshots – a huge strength of their Helix technology that are effectively different variations on a patch that users can access within a song. So the second snapshot you turn on might remove the chorus pedal and tweak the amp settings a certain way.
"I used to have a complex pedalboard," explains Rhodes of his analogue days. "It was great but a little bit temperamental. "This is working well."
Right now David's got no plans to go back because the results speak for themselves every night. "You get so far down this line and the front of house get used to this even quality – the consistency – and it just makes things easier. So I guess we're going to stick with it."
This approach to modelling is consistent across the band too; fellow Peter Gabriel touring guitarist Richard Evans, a former engineer at Real World studios, is using the Neural DSP Quad Cortex for his tones. As is bassist Tony Levin.
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Check out the rig tour above and the interview at guitarguitar.
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Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.
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