David Gilmour: “The Stratocaster enhances the personality of the person playing it”

(Image credit: Matthew Eisman / Getty Images)

As he gears up to sell 120 of his guitars - including the legendary Black Strat - David Gilmour has given a new interview to auction house Christie’s, where he discusses his life in guitars.

Naturally, the Strat features heavily in conversation, with the Pink Floyd hero citing it as perhaps the most expressive electric of them all.

People playing Fenders are more recognisably themselves than people playing some of the other well-known guitars

“The Stratocaster tends to enhance the personality of the person playing it,” Gilmour mused. “People playing Fenders are more recognisably themselves than people playing some of the other well-known guitars.”

Other highlights include the revelation that the Another Brick In The Wall (Part 2) solo didn’t feature a guitar amp at all…

“There was one guitar trader in New Jersey who had the 1955 Les Paul on his list. It was all gold - the back and the sides and the back of the neck, and it looked great. I bought it and had it sent to LA where we were working on The Wall album.

“Not long after it arrived I used it for the solo on Another Brick In The Wall (Part 2). We injected it straight through the desk and onto tape, not through any amplifier at all. I’ve always loved that guitar.”

For more from David Gilmour, pick up a copy of Guitarist issue 444, which features an interview with the man himself and in-depth coverage and photography of the guitars going under the hammer.

The magazine for serious players image
The magazine for serious players
Subscribe and save today!
Michael Astley-Brown

Mike has been Editor-in-Chief of GuitarWorld.com since 2019, and an offset fiend and recovering pedal addict for far longer. He has a master's degree in journalism from Cardiff University, and 15 years' experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Radiohead's Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. His writing also appears in the The Cambridge Companion to the Electric Guitar. In his free time, you'll find him making progressive instrumental rock as Maebe.