Although it has a number of other pedals in the works, Chase Bliss Audio has surprise-announced the M O O D two-channel granular micro-looper/delay pedal.
The M O O D is designed to be “internally collaborative”, allowing audio to pass back and forth between its two sides, which were developed by Drolo FX and Old Blood Noise Endeavors.
Drolo FX is behind the loop channel, which comprises always-listening micro-loopers, while OBNE developed the wet channel of live spatial effects.
The channels can be routed in three ways, while the onboard effects can be re-recorded in the loop side and overdubbed.
A clock control slows or accelerates both sides in harmonised steps, promising huge potential for soundscape and noise purposes - while Chase Bliss’s usual MIDI, dip-switch and preset implementation are also onboard.
The M O O D is available now for $349. See Chase Bliss Audio for more info.
![Eric Clapton and his gold-plated Cry Baby: [Left] a black and white image of Clapton playing his Bigsby-equipped Gibson Les Paul standard live on stage with Cream.](https://cdn.mos.cms.futurecdn.net/aPowLRdfjdvVAiwU8PYuBh-1280-80.jpg.webp)
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
