Boss unveils Waza Craft versions of the DC-2 Dimension C and… MT-2 Metal Zone
Cult chorus favourite and divisive distortion pedal go boutique
Boss has announced made-in-Japan Waza Craft versions of the long-discontinued DC-2 Dimension C and, surprisingly, the much-maligned yet massive-selling MT-2 Metal Zone.
The DC-2 has become a cult favourite in the years since it was discontinued in 1989, and now the DC-2W continues that legacy with the same four-button preset interface, but adds LED status indicators and more reliable electronic switching.
There’s also an additional switch to replicate the DC-2 and SDD-320 Dimension D, which the original DC-2 was based on.
Like the original, pressing two switches together yields additional variations, making for a total of 20 sounds.
Stereo inputs and outputs are onboard, as is a premium bypass buffer, and Boss is touting the effect’s suitability for guitar, bass, keyboards, vocals and just about anything else.
More guitar-centric is the MT-2W, which adds a new Custom mode designed for more contemporary high-gain tones.
Boss is also promising improved clarity and lower noise, and a premium buffer, while the three-band EQ and 15dB of boost/cut return from the original.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
The DC-2W and MT-2W are available now for $339/£202/€229 and $189/£131/€149 respectively. See Boss for more info.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard