Some of our favourite Zero-G soundtrack sample libraries and virtual instruments are up to 60% off this Black Friday
The items reduced in price include the epic Ethera Gold 2.5 and jaw-dropping hybrid scoring instrument Kepler
There's a lot of software deals to take in this Black Friday (which we're trying our utmost to keep track of, here) but our own eyes (and wallets!) can't help but be drawn to those big price drops around stuff that we've used ourselves - and we can personally vouch for its greatness. Zero-G certainly fits that bill. It's offering up to 60% reductions across its stellar line of cinematic libraries and sound design suites. It's an undeniably attractive offering.
Included among the discounts is Ethera Gold 2.5 - a stellar Kontakt vocal and vocal effect instrument that has been regularly deployed on some of our own personal projects. It was $99.95 and now is available for $55.95.
Then there's the likes of the impactful Elements - Cinematic Rhythms; a great repository of big screen-ready beats. It's now at the low price of $51.95 (from $79.95).
One of our favourites from a couple of years ago, Elements - Modern Scoring Synth - is now at $61,95, reduced from $94.95.
Zero-G: Save up to 60% on everything within the Zero-G store, including the flagship Ethera and Elements titles, bundles and 20% off the company's line of Vocaloids.
The entire Zero-G store is currently under offer, with an extra 15% bonus for those that apply the code BFBOOST on selected items. The offer runs until Wednesday 4th of December so you'll need to be quick.
Some of our top-picks this Black Friday include:
Ethera Gold 2.5 - $59.95
Elements - Kepler - $87.95
Wonder - $43.96
Ethera Gold: Prometheus - $82.50
Shadow Strings - $52.46
Zero-G has been producing exemplary sonic wares for more than 20 years, with the Ethera series in particular being a favourite of both the pro composer world and the amateur sound designer.
If you’re in the market for software deals this weekend, we’re rounding up all the best Black Friday plugin deals over on our hub page.
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I'm the Music-Making Editor of MusicRadar, and I am keen to explore the stories that affect all music-makers - whether they're just starting or are at an advanced level. I write, commission and edit content around the wider world of music creation, as well as penning deep-dives into the essentials of production, genre and theory. As the former editor of Computer Music, I aim to bring the same knowledge and experience that underpinned that magazine to the editorial I write, but I'm very eager to engage with new and emerging writers to cover the topics that resonate with them. My career has included editing MusicTech magazine and website, consulting on SEO/editorial practice and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut. When I'm not writing about music, I'm making it. I release tracks under the name ALP.