Latest about Software & Apps
Ableton Live 12.2 overhauls the device I use on pretty much every track – and rectifies Push 3’s most notable missing feature
Live 12.2 lands in public Beta, also bringing updates to Meld, Roar, new Max devices and more
"Potential for Aphex-style bleeps and mayhem": Cherry Audio KR-55C Software Drum Machine
Steppin’ Out with Cherry Audio’s post-punk beatbox that provides more than a few surprises
Cherry Audio steps out with an emulation of '80s Korg drum machine used by Joe Jackson and Depeche Mode
KR-55C is a software version of Korg's "Rhythm 55" KR-55A and KR-55B, heard on Jackson's 1982 hit Steppin' Out
Tired of lifeless synth plugins? Try this Aphex Twin-inspired sample instrument based on re-amped hardware synth recordings
Noon Instruments' Vessels breathes new life into a spectacular library of synth samples through "contemporary and experimental" re-amping techniques
“It will get on with the job, with or without your involvement”: Waves Curves Equator review
This dynamic EQ will improve your tracks and entire mixes, and doesn’t cost much – what else do you want?
"No two beats will ever be the same": Audiomodern's Playbeat 4 is an AI-powered infinite groove generator
Playbeat 4 features new genre-based generation algorithms that guide its groove engine towards a combination of up to three styles
Get 3 months of access to 55 Universal Audio plugins for (almost) nothing with this unmissable Spark deal
Until March 31st, you can snag 3 months of UAD Spark for less than a dollar
Roland is giving away its software 303 free – but be quick, there’s only 3,030 up for grabs
Download the official Roland Cloud recreation of the synth that invented acid house
“It’s a mighty emulation of an emulation of an emulation”: GForce Novation Bass Station review
Fancy some 16-voice 303 acid lines? Of course you do
“I want to shout from a mountain top about this incredible technology”: Is Dreamtronic's Synthesizer V Studio 2 Pro really the first artificial vocalist to finally nail the fake factor?
Its makers claim to have reached “the holy grail of vocal synthesis” with MIDI/text singers that are indistinguishable from the real thing