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Bob Geldof announces new remixed version of Do They Know It’s Christmas for single’s 40th anniversary
By Will Simpson published
But how effective will it be as a fundraiser?
“I get paid, so why not?: Sting says he’s fine with other artists interpolating his music
By Ben Rogerson published
"I never object because I always learn something about the song that I hadn’t known or anticipated," he says
“We’d all heard the myth of the scary Miles Davis. But he liked us!”: How Miles ended up on a Toto record
By Paul Elliott published
And instead of payment, he grabbed a painting off the band’s drummer
Best studio headphones for music production and mixing 2024: tested by experts
By Dave Clews last updated
We’ve tested and reviewed a huge range of headphones for music production. These are our tried and trusted choices – plus your FAQs answered
“That’s different, let’s go”: Killah K on the making of Beyoncé’s Texas Hold ‘Em
By Ben Rogerson published
“It’s incredible how Beyoncé was able to hear herself in the original demo; it was completely left-field from what we’d usually hear from her and that’s just how genius she is”
New to DAWs? Start here
By Andy Jones published
A DAW allows anyone to make music regardless of their abilities
Why Beyoncé's Lemonade remains an enduring 21st century classic
By Andy Price published
“Beyoncé is a scientist of songs. I’ve never seen anyone work the way she works”
“Like a childhood dream come true”: Steve Lukather on Quincy Jones’ ability to create “magic” in the studio
By Ben Rogerson published
"Everyone played their best around Quincy. He commanded the room. Everyone was their extra best for every take”
Best budget studio monitors 2024: Wallet-friendly home studio speakers, most pairs under $200/£200
By Chris Corfield last updated
The best cheap studio monitors for home recording, with hand-picked and affordable options from IK Multimedia, M-Audio, JBL, PreSonus and more
"If you're not joining in, you're out… I got my P45”: Producer David Batchelor on the difficulty of capturing the Oasis sound
By Scott Rowley published
It started with a promise between friends and turned into every producer’s worst nightmare: Inside the aborted first attempt at recording Oasis’s classic debut
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