How to gather the right remixing parts from stem files
Let’s deconstruct a raw song and pick the best moments for a new track
There are many ways to embark on a new remix project, but the ‘salvage and rebuild’ tactic we’re about to demonstrate is one of the best.
Once you’ve got the stems for the track you're remixing, listen carefully to them, looking out for elements that can be taken out of context and used to build your own piece. Once that’s done, you’ll have your own ‘construction kit’ with which to piece together a completely original track. Incidentally, doing this can be a great way to revitalise old tracks and projects of your own that have fallen out of favour.
For loads more remixing tips and advice, pick up the September 2018 edition of Future Music.
Step 1: Listen to the stems carefully. As you listen, note down what hits you like and which ones inspire you. As you play through again, mute and unmute tracks and try different combinations. Are there any ‘supporting players’ that deserve a shot as focal-point key parts?
Step 2: What are the key ‘hooks’? Are there underrated moments that were hidden? What would sound great if you heard it in a sample pack? What parts could be twisted and turned out-of-context to make something new? Solo them and gather them into a folder.
Step 3: Gather beats, hits, synths, instrument lines, vocals and anything juicy from the original track, and go through the stems one last time to make sure there are no moments of wonder you’ve missed. In the end, you’ll have your own ‘construction kit’ to inspire a new tune.
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Future Music is the number one magazine for today's producers. Packed with technique and technology we'll help you make great new music. All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. Every marvellous monthly edition features reliable reviews of the latest and greatest hardware and software technology and techniques, unparalleled advice, in-depth interviews, sensational free samples and so much more to improve the experience and outcome of your music-making.