© David Atlas / Retna / Retna Ltd
Another week, another tasty star soundbite from the Guitar Techniques archive. Here's Dream Theater guitarist John Petrucci on the benefits of writing with music…
"A lot of the time Dream Theater write the way that any other band would write: just in a rehearsal, playing off one another and seeing what happens.
"It does help if there's a complex arrangement, whether rhythmically or melodically, and you can write it out and give it to the other guy. Or say if the keyboard player is going to double something I'm going to do, I can just write it out instead of sitting there and going through it note by note."
*Example tract taken from Talking Guitars by David Mead, published by Sanctuary, ISBN: 1-86074-620-9. Price £9.99 (UK), $14.99 (USA).
"There had to be some sort of telepathy going on because I've never seen spontaneous inspiration happen at that level”: The genius of Eric Clapton's controversial masterpiece, Layla
“The most musical, unique and dynamic distortion effects I’ve ever used”: Linkin Park reveal the secret weapon behind their From Zero guitar tone – and it was designed by former Poison guitarist Blues Saraceno’s dad
