“Muscular, articulate rock tones were the tones I always sought, but I made a name for myself in the ‘80s when you needed a little more aggression”: Friedman unveils the Jake E. Lee signature IR-J dual-channel tube preamp pedal

Friedman Amplification Jake E. Lee IR-J All-Tube Preamp Pedal
Friedman Amplification has expanded its range of tube-driven preamp pedals with a signature model for former Ozzy Osbourne guitarist Jake E. Lee, and if you are seeking red-hot electric guitar tones that reference classic ‘70s rock and the crisp harmonics and aggression of ‘80s hard-rock and metal, this is definitely one to audition.The IR-J is effectively Lee’s tones in pedalboard-friendly box. Think Bark At The Moon and Ultimate Sin-era Ozzy… Just add a Charvel Strat-style guitar and you’re all set. Like the Friedman IR-D, this is a serious piece of high-end kit, and the IR-J similarly presents its tones across two independently footswitchable channels. Those channels are based on Lee's signature Friedman JEL-100 and JEL-20 tube amps. Each channel has its own Tube Screamer-style boost, effectively giving you four channels, plus controls for Volume, Gain, Bass, Middle, Treble, Boost Volume, a three-position Bright switch and another three-position switch for selecting cab sim. Channel 2 has a two-position gain structure switch that presents two complementary takes on Lee’s signature sound.  (Image credit: Friedman Amplification)

“Dave has an innate understanding of where I’m coming from as a player and we’re alike in the way we hear tones,” says Lee. “Dave doesn’t hear things as a technician, he hears things like a musician, and that made him really easy to work with.

“I grew up in the ‘70s and those muscular, articulate rock tones were the tones I always sought, but I made a name for myself in the ‘80s when you needed a little more aggression and a little more scream. I’ve always tried to retain a little of that ‘70s heart and I still do, and that’s what this preamp does – though it’s got plenty more on tap if you need it!”

Channel 1 is where you can find all those Marshall-esque foundational British blues guitar tones, and as you pump up the gain it starts to flex that Plexi muscle that Dave Friedman’s designs are famed for.

On Channel 2, things get more ‘80s – in other words, there is more gain, with the JEL voicing offering “percussive punch, note clarity and singing sustain” and the lower-gain setting presenting you with a classic crunch inspired by the JCM800.

Friedman Amplification - All new Jake E Lee IR-J All-Tube Pedal Preamp featuring Jordan Ziff - YouTube Friedman Amplification - All new Jake E Lee IR-J All-Tube Pedal Preamp featuring Jordan Ziff - YouTube
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The unit ships with 18 IRs, and you can edit these and program presets via the accompanying app. You can also disengage the unit’s IRs and to use the preamp with another IR loader.

Under the hood you’ve got a pair of 12AX7 tubes. The pedal is laid out just like an amp. Old-school. But there’s a digital brain here taking care of business, too. With the accompanying software, Friedman says you can use this with the “the laptop running your entire show”.

The app also lets you apply some digital power amp simulation to each channel via Thump, Presence and a Low-Pass Filter controls. You can change the functions of all three footswitches.

Friedman Amplification Jake E. Lee IR-J All-Tube Preamp Pedal

(Image credit: Friedman Amplification)

Other features include an “ultra-transparent” series effects loop, headphones output, USB, a five-pin MIDI connector, and there is a three-year warranty as standard. The whole thing weighs just 1.5lbs, ships with power supply, and is offers up a lot of tone for its 5.5” x 6.5” footprint.

The Jake E Lee IR-J tube preamp pedal is available now, priced £/$599. See Friedman Amplification for more.

The launch of Lee’s preamp pedal comes at a terrible time, with the guitarist currently in hospital after being shot multiple times in Las Vegas while walking his dog early on Tuesday (15 October). A statement shared by management said Lee was the victim of a random street shooting and is “fully conscious and doing well”. He is expected to make a full recovery.

Jonathan Horsley

Jonathan Horsley has been writing about guitars and guitar culture since 2005, playing them since 1990, and regularly contributes to MusicRadar, Total Guitar and Guitar World. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.