“Each C-1 Ink Bomb is uniquely hand-splattered, making every guitar a one-of-a-kind masterpiece”: Schecter drops a Jackson Pollock-inspired electric with Seymour Duncan Blackouts for alt-metal adventure

Schecter Ink Bomb C-1
(Image credit: Schecter)

Whoever planted the copy of Barbara Hess’ Abstract Expressionism (Taschen, 2016) in the Schecter paint room deserves a raise, because it just paid off with the launch of the Ink Bomb C-1.

This is a C-1, an electric guitar we are all familiar with. It has that S-style double cutaway body (solid mahogany in this instance), the 3x3 headstock, locking tuners because it is a serious bit of kit.

But then this is a C-1 like we have never seen before, finished in solid white with this Ink Bomb finish, a sort of Jackson Pollock-inspired finish (or 101 Dalmatians, you decide) that is unique to each guitar.

That’s right, because of how the finish is applied, each of these Ink Bomb C-1s will look different to the next. There must be something in the air, what with Red Witch this week offering a one-of-one range with its Pax Harmonia dual mode Uni-Vibe pedal. But it’s still a rare thing indeed to get a production model guitar that no one else has.

"With its eye-catching Ink Bomb finish and exceptional craftsmanship, this guitar is perfect for players looking to stand out both visually and sonically," says Schecter. "Each C-1 Ink Bomb is uniquely hand-splattered, making every guitar a one-of-a-kind masterpiece."

Schecter Ink Bomb C-1

(Image credit: Schecter)

As for the spec, this one is geared up for modern metal, or alt-metal if you like, with a pair of Seymour Duncan Alt Metal Blackout humbuckers at the bridge and neck – you know the ones that Ryan “Fluff” Bruce demoed upon their launch.

Basically, they are a set of active electric guitar pickups voiced for players who tune down, like, to C standard and below, giving you all the clarity and punch even as you’re expanding operations into the bass guitar’s territory. It is a straightforward guitar. You have a three-way pickup selector, volume and tone controls. No messing around.

Schecter Ink Bomb C-1

(Image credit: Schecter)

This is probably a finish that will divide opinion. Frankly, it makes a nice change from the blood splatter finishes we see in a lot of metal guitars. That Dexter look is a little passé, right? One thing that is super cool is that Schecter commits to it; it’s on the body, it’s on the headstock. Only the neck has been left untouched. It is plain white.

Low tunings or not, this C-1 is built to shred, with a glued-in three-piece maple neck carved into a Thin C profile. It has a 14” radius ebony fingerboard, offset dot inlays, 24 jumbo frets, a 25.5” scale length. At the nut you’ve got a black Graph Tech Tusq XL. The bridge is a Tonepros Locking Tune-O-Matic.

The Ink Bomb C-1 is available now, priced $999 (guitar case sold separately, but you might be able to charm your local retailer into throwing in a case to sweeten the deal).

For more details, head over to Schecter.

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Jonathan Horsley

Jonathan Horsley has been writing about guitars and guitar culture since 2005, playing them since 1990, and regularly contributes to MusicRadar, Total Guitar and Guitar World. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.