Tonefreak Severe
£149
Originally appeared in: Guitarist 324, January 2010, p137
A severely good distortion from the Californian firm by Dave Durban
In issue 322, we awarded Tone Freak's Abunai 2 overdrive our Guitarist Choice award. So impressed were we that we had to have first dibs on its latest distortion, the Severe. The bronze-finished, hand-built pedal is Tone Freak's answer for heavy distortion, but actually offers a whole spectrum of gain tones.
The Severe has a three-way toggle switch that offers asymmetrical, symmetrical and no-clipping options. There's also a three-way 'brite' switch that dictates the level of brightness available from the tone control — especially useful for those with varying amp set-ups. Additionally there are level and gain controls, plus a bright blue on/off LED. Power is via a single 9V battery or a 2.1mm centre negative pin power adaptor (not included).
Sounds
With the gain control creeping over halfway, the Severe delivers a tight, musical distortion that will set sparks flying for heavy rock and metal players alike. It possesses a sweet American overdrive core, and cuts like a muscular British amp on 11, which sets the scene for incredible metal rhythm versatility and brooding Van Halen-style soloing. There's no flubbing-out in the low end or definition loss with lower tunings. But attenuate the gain and we get one of the most musical American-indie overdrive tones around.
Verdict
A distortion that offers players of a heavier persuasion an all-encompassing and musical option for their rhythm and lead styles. Try one!
The Bottom Line
We like: Build quality; incredible high-gain abilities; musical American-style crunch; price
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Guitar Guitar
0191 222 0466
www.guitarguitar.co.uk
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“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard