Reviews Revisited: The BOSS CE-5 Chorus Ensemble from 1992
Arguably the best and most versatile of the entire choice of BOSS chorus stompboxes. We quite liked it when we first reviewed it back in the early 1990s...
"The CE-5, although sharing the same dimensions of its predecessors, offers far more control. The mono CE-2 possessed just two controls, Rate and Depth, while the CE-3 had these plus a Mode control which offered two different output options. The CE-5 retains the Rate and Depth controls but added to these are an Effects pot and a stacked tone control.
"Starting as usual with all the pots at 12 o'clock the CE-5 produces what I would call a safe effect, one which would fit into any situation. Experimenting further I found I could get the CE-5 to produce a really subtle chorus which reminded me of the guitar sound occasionally used on old Tamla Motown records."
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![Eric Clapton and his gold-plated Cry Baby: [Left] a black and white image of Clapton playing his Bigsby-equipped Gibson Les Paul standard live on stage with Cream.](https://cdn.mos.cms.futurecdn.net/aPowLRdfjdvVAiwU8PYuBh-1280-80.jpg.webp)
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
